Vol. 21 No. 2 (2021): Dossiê "O legado musical de Arnold Schoenberg e seus reflexos na América Latina: 1951-2021"

					View Vol. 21 No. 2 (2021): Dossiê "O legado musical de Arnold Schoenberg  e seus reflexos na América Latina: 1951-2021"

Guest editors: Amilcar Zani, Heloisa Zani and Eliana Monteiro da Silva.

The reflections of the paradigm shift proposed by Schoenberg and varied, ornamentally or progressively (in the sense of potentializing new directions), by Latin American composers, are the focus of the Dossier in this edition of Revista Música. 70 years after the death of the creator of the dodecaphonic technique, we invite the musical community, academic and/or interested in the subject to send articles, book reviews, interviews, among others, for this thematic dossier.

The v. 21 n. 2 also presents six works with a free theme, focused on music and its intersections.

Published: 2021-12-17

Editorial

  • Editorial

    Paulo de Tarso Salles
    ix-x
    DOI: https://doi.org/10.11606/rm.v21i2.193564

Articles

  • Music, Neurosciences and Autism: survey of national and international articles in 4 databases

    Mayara Santiago, Viviane dos Santos Louro
    1-30
    DOI: https://doi.org/10.11606/rm.v21i2.181126
  • In pandemic: from the concert hall to the jazz club

    Luíza Beatriz Alvim, Frederico Lyra de Carvalho
    31-50
    DOI: https://doi.org/10.11606/rm.v21i2.184668
  • To be or not to be armorial: a virtual survey

    Marília Santos
    51-82
    DOI: https://doi.org/10.11606/rm.v21i2.189598
  • Rhythmic grouping as the basis for the pianistic performance of the classical period works

    Miriam Grosman
    83-110
    DOI: https://doi.org/10.11606/rm.v21i2.185441
  • The Sociedade Sinfônica Campineira and its Audience: Approaches to Pierre Bourdieu

    Mariana de Oliveira Candido, Lenita Waldige Mendes Nogueira
    111-126
    DOI: https://doi.org/10.11606/rm.v21i2.188123
  • Gadanho, the Clown, is our next star: come to the circus with the “Ace of the Guitar”!

    Humberto Amorim, Flávia Rejane Prando, Jefferson Motta, Ivan Paschoito
    127-168
    DOI: https://doi.org/10.11606/rm.v21i2.189049
  • Dossier: Arnold Schoenberg's musical legacy and its reflexes in Latin America: 1951-2021

    Amilcar Zani, Heloisa Zani, Eliana Monteiro da Silva
    169-172
    DOI: https://doi.org/10.11606/rm.v21i2.193557
  • My “meetings” with Arnold Schoenberg: idea or representation?

    Eduardo Seincman
    173-182
    DOI: https://doi.org/10.11606/rm.v21i2.192556
  • The Form of the Night: a proposition of formal analysis of the Transfigured Night

    André de Cillo Rodrigues
    183-210
    DOI: https://doi.org/10.11606/rm.v21i2.190211
  • The Fourth Element...

    Amilcar Zani, Heloisa Zani
    211-234
    DOI: https://doi.org/10.11606/rm.v21i2.192466
  • Musical Reproduction: A Dialogue on Musical Interpretation in Schönberg, Kolisch, and Adorno

    Vinícius Benalia Penteado, Mario Videira
    235-252
    DOI: https://doi.org/10.11606/rm.v21i2.192549
  • What a Lied of Schoenberg can teach us about a Sonata of Santoro?

    Rodolfo Coelho de Souza
    253-286
    DOI: https://doi.org/10.11606/rm.v21i2.193558
  • Eunice Katunda’s Quinteto Schoenberg: a tribute to the creator of dodecaphonism

    Marisa Milan Candido, Eliana Monteiro da Silva
    287-314
    DOI: https://doi.org/10.11606/rm.v21i2.191266
  • Arnold Schoenberg and Yves Rudner Schmidt: a musical relation

    Daniel Cristiano Santos
    315-332
    DOI: https://doi.org/10.11606/rm.v21i2.193560
  • Nacht, from Arnold Schoenberg’s Pierrot Lunaire: a perspective from the ArtSong Theory on the text-music relationships and its unfoldings

    Achille Picchi
    333-346
    DOI: https://doi.org/10.11606/rm.v21i2.192921
  • Arnold Schoenberg amidst the Struggle between Scientific Materialism and Spiritual Revival

    Tristan Guillermo Torriani
    347-364
    DOI: https://doi.org/10.11606/rm.v21i2.192517
  • Avant-Retard, for Flute in C and Flute in G

    Silvia De Lucca
    365-390
    DOI: https://doi.org/10.11606/rm.v21i2.193563