Vol. 19 No. 2 (2019): Thematic dossier: Claudio Santoro and Heitor Villa-Lobos

View Vol. 19 No. 2 (2019): Thematic dossier: Claudio Santoro and Heitor Villa-Lobos

In 2019, Revista Música honors Heitor Villa-Lobos (1887-1959) for 60 years of his death and celebrates 100 years of birth of Claudio Santoro (1919-1989). They both are exponents of Brazilian concert music in the twentieth century.,

Published: 2019-12-22

Full Issue

Editorial

  • Editorial Dossiê Claudio Santoro e Villa-Lobos

    Paulo de Tarso Salles, Rodolfo Coelho de Souza
    vii-viii
    DOI: https://doi.org/10.11606/rm.v19i2.165327

Articles

  • The Promotion of Health in Singing College Students Far Beyond Vocal Health

    Leila Claudia Monteiro de Castro dos Santos Braga, Gabriel Eduardo Schütz
    1-16
    DOI: https://doi.org/10.11606/rm.v19i2.158743

  • Reception and influence of Lorenzo Perosi (1872-1956) in the sacred music of Alberto Nepomuceno (1864-1920)

    Thiago Plaça Teixeira
    17-43
    DOI: https://doi.org/10.11606/rm.v19i2.160085

  • The production for solo piano of Société Musicale Indépendante-SMI works, performers and reviews

    Danieli Verônica Longo Benedetti
    44-64
    DOI: https://doi.org/10.11606/rm.v19i2.161147

  • Identities between sound and clay The zabumba Mestre Vitalino and the pifano in Alto do Moura

    Marília Paula dos Santos
    65-85
    DOI: https://doi.org/10.11606/rm.v19i2.164376

  • Español Español

    Jorge Israel Ortiz Vergara
    86-115
    DOI: https://doi.org/10.11606/rm.v19i2.163874

  • Song of The Poet from 18th Century, of Heitor Villa-Lobos A Manuscript for Voice and Guitar

    Humberto Amorim
    116-144
    DOI: https://doi.org/10.11606/rm.v19i2.162100

  • Tropical Topics Imaginary and exoticism in Villa-Lobos works

    Heloísa de Araújo Duarte Valente
    145-159
    DOI: https://doi.org/10.11606/rm.v19i2.163566

  • The indigenous sung music and the compositional universe of Heitor Villa-Lobos

    Marcos Júlio Sergl
    160-185
    DOI: https://doi.org/10.11606/rm.v19i2.163511

  • Villa-Lobos as a songwriter the lyrics into the "Aria" of Bachianas Brasileiras n. 5

    Pedro de Grammont e Souza
    186-209
    DOI: https://doi.org/10.11606/rm.v19i2.163285

  • Traces of the tense musical enunciation in Choros nº 6 of Villa-Lobos

    Gustavo Cardoso Bonin
    210-230
    DOI: https://doi.org/10.11606/rm.v19i2.163572

  • Villa-Lobos in television drama musical semantics and audiovisual poetics

    Raphael Fernandes Lopes Farias
    231-243
    DOI: https://doi.org/10.11606/rm.v19i2.163794

  • Villa-Lobos and the modernism of First Republic in Brazil

    Lutero Rodrigues
    244-252
    DOI: https://doi.org/10.11606/rm.v19i2.165306

  • The Influence of Heitor Villa-Lobos's music on the first and third movements of Claudio Santoro's First Symphony.

    Rafael Fajiolli Oliveira
    253-284
    DOI: https://doi.org/10.11606/rm.v19i2.163699

  • Claudio Santoro and Poland An Aesthetic Approach

    Semitha Heloisa Matos Cevallos
    285-308
    DOI: https://doi.org/10.11606/rm.v19i2.163237

  • Claudio Santoro's trajectory from his songs

    Camila Ventura Fresca
    309-318
    DOI: https://doi.org/10.11606/rm.v19i2.163662

  • Claudio Santoro's Mutationen I for industrial harpsichord and tape a protest work?

    Carlo Vinícius Rosa Arruda
    319-338
    DOI: https://doi.org/10.11606/rm.v19i2.163192