Vol. 24 No. 1 (2024): Dossiê Temático - Música e relações étnico-raciais: perspectivas críticas

View Vol. 24 No. 1 (2024): Dossiê Temático - Música e relações étnico-raciais: perspectivas críticas
Published: 2024-09-09

Full Issue

Apresentação

  • Foreword: Music and Ethnic-Racial Relations

    Eduardo Guedes Pacheco, Felipe Merker Castellani
    i-iv
    DOI: https://doi.org/10.11606/rm.v24i1.229346

Dossiê Temático: Música e relações étnico-raciais

  • Barulhinho do vapo vapo: thinking through sound and sonic blackness

    G. G. Albuquerque
    1-28
    DOI: https://doi.org/10.11606/rm.v24i1.225636

  • Between samba and Black feminist thought: self-definition practices in songs about love

    Lucianna Furtado
    29-62
    DOI: https://doi.org/10.11606/rm.v24i1.225767

  • Fred Moten and The Black Sentimental Avant-garde.

    Romulo Inacio
    63-85
    DOI: https://doi.org/10.11606/rm.v24i1.225972

  • Meditation and furye early 1960s and its “turn to the ghetto”: free jazz in the face of the anti-recist political perspectives

    Caio Francisco Azevedo Souza
    87-129
    DOI: https://doi.org/10.11606/rm.v24i1.225824

  • National RAP “bancas” and families: a living space for coexistence and affection between black masculinit

    José Balbino Santana Junior
    131-147
    DOI: https://doi.org/10.11606/rm.v24i1.225810

  • “Vida loka original”: engagement and authenticity in the Racionais MC’s of the 2000s and 2010s

    Mateus da Silva Lisboa
    149-177
    DOI: https://doi.org/10.11606/rm.v24i1.225830

  • Excavating the black memories buried beneath the mud of the  Manguetown

    Renato de Lyra Lemos
    179-212
    DOI: https://doi.org/10.11606/rm.v24i1.225746

  • The electric guitar and the Ijexá nation of Rio Grande do Sul:  a proposal for adapting percussion in the Afro-religious  context for the electric guitar

    André Luís Córdova Brasil
    213-241
    DOI: https://doi.org/10.11606/rm.v24i1.225676

  • “Virá que eu vi”

    João Artur Rodrigues Fernandes
    243-257
    DOI: https://doi.org/10.11606/rm.v24i1.225317

  • “Dá Ku Torno!”: Batuku and identity territories in the cabo-verdean diaspora

    André Coelho
    259-284
    DOI: https://doi.org/10.11606/rm.v24i1.225961

  • Taiko and Japanese-Brazilians: sounds of a hyphenated identity

    Flávio Rodrigues
    285-303
    DOI: https://doi.org/10.11606/rm.v24i1.225295

  • “You are the subject of Music!”: critical perspectives on Music Composition and its Didactics

    Luiz Castelões
    305-340
    DOI: https://doi.org/10.11606/rm.v24i1.225100

  • Black art and thought as critical epistemologies: contributions to music education

    Stefani Silva Souza
    341-364
    DOI: https://doi.org/10.11606/rm.v24i1.229319

  • Benedicto Nicolau dos Santos: a black intellectual and composer and his participation in Paranismo

    Daniele Martinez de Oliveira Coelho, Wilson Lemos Junior, Adriana Vaz
    365-394
    DOI: https://doi.org/10.11606/rm.v24i1.224269