Revista Criação & Crítica

Current Issue

No. 39 (2024): Horror e literatura

Editoras do dossiê: Claudia Cristina Ferreira e Sabrina Moura Aragão

Editoras responsáveis: Claudia Amigo Pino e Katerina Kaspar

Capa: Le Double Secret (1927), René Magritte

Diagramação: Fátima Santos

Revisores: Beatriz Genial, Bruno Gessner, Fátima Santos, Flávia Miotto, Gabriel Barrios, Gabriel Carra, João Vitor Nascimento, Katerina Kaspar, Maria Beatriz Thibes, Maria Letícia Bezerra, Sofia França, Vitor Rosasco.

Published: 2024-11-20

Editorial

Editorial

Claudia Cristina Ferreira, Sabrina Moura Aragão

1-7
- PDF (Portuguese)

Articles

“Because a woman’s biggest fear…”: the Terror experienced by Brazilian Women through “Os porcos” and “O caso de Ruth”, by Júlia Lopes de Almeida and “Brasil”, by Eliane Potiguara

Julia de Souza Lopes, Leticia dos Montes Melo, Phablo Roberto Marchis Fachin

8-26
- PDF (Portuguese)
Horror and Monstrosity in 'Razza Maledetta' (1900) by Carolina Invernizio: portraits of Italian Gothic

Júlia Lobão, Karine Simoni

27-53
- PDF (Portuguese)
The female in Shirley Jackson's literature: an analysis of the character Eleanor Vance, from The Haunting of Hill House (1959)

Cibele Batista

54-86
- PDF (Portuguese)
The horror of dependence and Latin American Gothic Literature as social criticism in Agustina Bazterrica's Tender is the Flesh

Yasmin Pereira Yonekura

87-104
- PDF (Portuguese)
The Sci-Fi Feminist Horror of The Invisible Man (2020)

Marcio Markendorf, Nadege Ferreira Rodrigues Jardim

105-129
- PDF (Portuguese)
The Feminine Gothic and the Role of Women in the Stories 'Under the Stars' and 'The Neurosis of Color' by Júlia Lopes de Almeida

Tharcylla Beatriz Fontenele Oliveira

130-158
- PDF (Portuguese)
The Gothic Tradition in The House of Mist (1947) by María Luisa Bombal

Gabriela Freitas

159-185
- PDF (Portuguese)
When Afro-Brazilian literature and horror meet: an analysis of the short story 'A floresta', by Carol Dermond

Julia Antuniassi, Cláudia Cristina Ferreira

186-210
- PDF (Portuguese)
Garrulous, outraged, baffled ghosts: Southern Gothic portraits from the novel Absalom, Absalom! (1936), by William Faulkner

Giovana Proença Gonçalves

211-236
- PDF (Portuguese)
From scary frights to dreadful laughs: The Canterville Ghost as a parody of the gothicS A PARODY OF THE GOTHIC

Auricélio Soares Fernandes

237-257
- PDF (Portuguese)
The Translated Double: annotated translation of the Short Story “Le Chevalier Double,” by Théophile Gautier

Bruno Ricardo Gessner, Sabrina Moura Aragão

258-281
- PDF (Portuguese)
Shadows of the Grotesque: violence and Horror in Lord of the Flies, by William Golding

Geysa Russielly Campelo Brandão, Paula Fabrisia Sá

282-315
- PDF (Portuguese)
The Horrific Metonymy in Fiction: the Sui Generis Conception of Monsters in “Clear Conscience” by Cruz e Sousa

Gabriel Costa Resende Pinto Bastos dos Santos

316-335
- PDF (Portuguese)
The Owl's Hoot: Gothic elements in S. Bernardo, by Graciliano Ramos

Mateus de Novaes Maia

336-361
- PDF (Portuguese)
From the Gapped Mouth to the Continued Laughter: understanding some grotesque images of horror

Rafael Oliveira da Silva, Maria da Penha Casado Alves

362-381
- PDF (Portuguese)
Horrors and sacrifices: the Irish generational nightmare in Vivarium (2019), by Lorcan Finnegan

Manoel Carlos dos Santos Alves, Samael Patriarcha Quintella, Sanio Santos da Silva

382-409
- PDF (Portuguese)
The plant eco-horror in The Body Snatchers (2020), by Jack Finney: simulacra, hyperreality, and unbridled consumption

Jaimeson Machado Garcia, Priscila Gonçalves Magossi

410-428
- PDF (Portuguese)

Exercises in style

Os algodões guardam o abraço

Raeltom Santos Munizo

429-436
- PDF (Portuguese)
Cores muito vivas

Francisco Oliveira

437-441
- PDF (Portuguese)

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Revista Criação & Crítica

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Revista Criação & Crítica

Current Issue

Editorial

Editorial

Articles

“Because a woman’s biggest fear…”: the Terror experienced by Brazilian Women through “Os porcos” and “O caso de Ruth”, by Júlia Lopes de Almeida and “Brasil”, by Eliane Potiguara

Horror and Monstrosity in 'Razza Maledetta' (1900) by Carolina Invernizio: portraits of Italian Gothic

The female in Shirley Jackson's literature: an analysis of the character Eleanor Vance, from The Haunting of Hill House (1959)

The horror of dependence and Latin American Gothic Literature as social criticism in Agustina Bazterrica's Tender is the Flesh

The Sci-Fi Feminist Horror of The Invisible Man (2020)

The Feminine Gothic and the Role of Women in the Stories 'Under the Stars' and 'The Neurosis of Color' by Júlia Lopes de Almeida

The Gothic Tradition in The House of Mist (1947) by María Luisa Bombal

When Afro-Brazilian literature and horror meet: an analysis of the short story 'A floresta', by Carol Dermond

Garrulous, outraged, baffled ghosts: Southern Gothic portraits from the novel Absalom, Absalom! (1936), by William Faulkner

From scary frights to dreadful laughs: The Canterville Ghost as a parody of the gothicS A PARODY OF THE GOTHIC

The Translated Double: annotated translation of the Short Story “Le Chevalier Double,” by Théophile Gautier

Shadows of the Grotesque: violence and Horror in Lord of the Flies, by William Golding

The Horrific Metonymy in Fiction: the Sui Generis Conception of Monsters in “Clear Conscience” by Cruz e Sousa

The Owl's Hoot: Gothic elements in S. Bernardo, by Graciliano Ramos

From the Gapped Mouth to the Continued Laughter: understanding some grotesque images of horror

Horrors and sacrifices: the Irish generational nightmare in Vivarium (2019), by Lorcan Finnegan

The plant eco-horror in The Body Snatchers (2020), by Jack Finney: simulacra, hyperreality, and unbridled consumption

Exercises in style

Os algodões guardam o abraço

Cores muito vivas

Language

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