O Melodrama e o Naturalismo em La Terra Trema

Auteurs

DOI :

https://doi.org/10.11606/issn.2447-9772.i1p143-157

Mots-clés :

cinema, naturalism, melodrama, neo-realism

Résumé

La Terra Trema is conceived by Visconti as a work that operates both as fiction and documentary in which the difficulties and exploration of the people deprived of their own land are seen through a surprising mixture of commotion and objectivity. Devices generally associated with objectivity such as the plastic elements of the image and the recourse to a narrative voice function as a means to hide the process of identification that lies behind the objective view they suggest. In between these two opposite narrative options, La Terra Trema addresses the spectator in an attempt to rise its critical conscience.

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Biographie de l'auteur

  • Yanet Aguilera, Universidade de São Paulo. Faculdade de Filosofia, Letras e Ciências Humanas
    Doutoranda em Filosofia pela Universidade de São Paulo.

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Publiée

2001-12-02

Numéro

No 1 (2001)

Rubrique

Resenhas

Licence

(c) Copyright Rapsódia 2001

Creative Commons License

Ce travail est disponible sous licence Creative Commons Attribution - Pas d’Utilisation Commerciale - Partage dans les Mêmes Conditions 4.0 International.

Comment citer

Aguilera, Y. (2001). O Melodrama e o Naturalismo em La Terra Trema. Rapsódia, 1(1), 143-157. https://doi.org/10.11606/issn.2447-9772.i1p143-157