O Melodrama e o Naturalismo em La Terra Trema

Autor/innen

DOI:

https://doi.org/10.11606/issn.2447-9772.i1p143-157

Schlagwörter:

cinema, naturalism, melodrama, neo-realism

Abstract

La Terra Trema is conceived by Visconti as a work that operates both as fiction and documentary in which the difficulties and exploration of the people deprived of their own land are seen through a surprising mixture of commotion and objectivity. Devices generally associated with objectivity such as the plastic elements of the image and the recourse to a narrative voice function as a means to hide the process of identification that lies behind the objective view they suggest. In between these two opposite narrative options, La Terra Trema addresses the spectator in an attempt to rise its critical conscience.

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Autor/innen-Biografie

  • Yanet Aguilera, Universidade de São Paulo. Faculdade de Filosofia, Letras e Ciências Humanas
    Doutoranda em Filosofia pela Universidade de São Paulo.

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Veröffentlicht

2001-12-02

Ausgabe

Nr. 1 (2001)

Rubrik

Resenhas

Lizenz

Copyright (c) 2001 Rapsódia

Creative Commons License

Dieses Werk steht unter der Lizenz Creative Commons Namensnennung - Nicht-kommerziell - Weitergabe unter gleichen Bedingungen 4.0 International.

Zitationsvorschlag

Aguilera, Y. (2001). O Melodrama e o Naturalismo em La Terra Trema. Rapsódia, 1(1), 143-157. https://doi.org/10.11606/issn.2447-9772.i1p143-157