O Melodrama e o Naturalismo em La Terra Trema

Autores/as

DOI:

https://doi.org/10.11606/issn.2447-9772.i1p143-157

Palabras clave:

cinema, naturalism, melodrama, neo-realism

Resumen

La Terra Trema is conceived by Visconti as a work that operates both as fiction and documentary in which the difficulties and exploration of the people deprived of their own land are seen through a surprising mixture of commotion and objectivity. Devices generally associated with objectivity such as the plastic elements of the image and the recourse to a narrative voice function as a means to hide the process of identification that lies behind the objective view they suggest. In between these two opposite narrative options, La Terra Trema addresses the spectator in an attempt to rise its critical conscience.

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Biografía del autor/a

  • Yanet Aguilera, Universidade de São Paulo. Faculdade de Filosofia, Letras e Ciências Humanas
    Doutoranda em Filosofia pela Universidade de São Paulo.

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Publicado

2001-12-02

Número

Núm. 1 (2001)

Sección

Resenhas

Licencia

Derechos de autor 2001 Rapsódia

Creative Commons License

Esta obra está bajo una licencia internacional Creative Commons Atribución-NoComercial-CompartirIgual 4.0.

Cómo citar

Aguilera, Y. (2001). O Melodrama e o Naturalismo em La Terra Trema. Rapsódia, 1(1), 143-157. https://doi.org/10.11606/issn.2447-9772.i1p143-157