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No. 16 (2016)

View No. 16 (2016)

Published: 2016-11-23

Editorial

Entre a tela e o papel:o cinema produz literatura?

Danielle Camara Silva, Karina Bernardino Capoccia, Leonardo Cavalcante Mendes, Maria Angélica Amâncio Santos, Tatiana Barbosa Cavalari

1-3
- PDF (Portuguese)

Articles

Cinema and letters: some of Mário de Andrade's conjugation

Carla Moreira Kinzo

4-20
- PDF (Portuguese)
The Literature Cinema: when te page becomes screen

André Soares Vieira

21-33
- PDF (Portuguese)
The Taker with Report of Occurrence: The Ferociouscinematographic writing of Rubem Fonseca

Helciclever Barros da Silva Vitoriano, André Luís Gomes

34-49
- PDF (Portuguese)
Orlando and the cinematic rewriting of gender

Edma Cristina Alencar de Gois

50-60
- PDF (Portuguese)
Perfumes and miasma: literary and film olfactographies

61-73
- PDF (French)
From the pages of the book to the cinema screen: a comparative study between the filmic adaptations of Of mice and men, by John Steinbeck

Michael Jones Botelho, Sirlei Santos Dudalski

74-90
- PDF (Portuguese)
L’amant de la Chine du Nord, by Marguerite Duras: book, film, night

Andréa Correa Paraiso Müller

91-102
- PDF (Portuguese)

Interview

Literature and cinema: the experiments of Alain Robbe-Grillet

Rodrigo Fontanari

103-107
- PDF (French)

Traduction

Hypotheses

Jacques Rancière, Fernanda Ferreira dos Santos, Aline Magalhães dos Santos

108-127
- PDF (Portuguese)

Review

The importance of medialities in the literature study

Maria Angélica Amâncio Santos

128-131
- PDF (Portuguese)