Solano Trindade e a poética da resistência: na ausência, a existência
DOI:
https://doi.org/10.11606/issn.2316-9125.v26i1p209-221Keywords:
Solano Trindade (1908-1974), Afro-Brazilian poetry, Brazilian LiteratureAbstract
This article aims to point out some lines of force in the poetry of Solano Trindade (1908-1974), one of the most important figures in Afro-Brazilian poetry. Trindade’s artistic production was concentrated between the 1930’s and 1960’s, period within which the author established himself as a militant in favor of black populations and popular art movements, participating in the Teatro Experimental do Negro (TEN) and founding the Teatro Popular Brasileiro (TPB). His poetry was also circumscribed within these two limits of action, managing to fill a gap by recovering the past of Black men and women in Brazil as an act of resistance, affirming the existence of what was socially silenced.
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References
BASTIDE, Roger. [Correspondência]. Destinatário: Solano Trindade. São Paulo, 4 out. 1946. 1 carta pessoal. In: TRINDADE, Solano. Seis tempos de poesia. São Paulo: H. Mello, 1958, p. 87.
KILOMBA, Grada. Fanon, existência, ausência. In: FANON, Frantz. Pele negra, máscaras brancas. Tradução de Sebastião Nascimento e Raquel Camargo. São Paulo: Ubu, 2020. p. 11-16.
MBEMBE, Achille. Crítica da razão negra. Tradução de Sebastião Nascimento. São Paulo: N-1, 2018.
POESIA Negra, social e mística no livro de Solano Trindade. Diário da Noite, São Paulo, 6 out. 1961.
TRINDADE, Solano. Seis tempos de poesia. São Paulo: H. Mello, 1958.
TRINDADE, Solano. Cantares ao meu povo. 2. ed. São Paulo: Brasiliense, 1981.
TRINDADE, Solano. Solano Trindade: o poeta do povo. Organização de Raquel Trindade. São Paulo: Cantos e Prantos, 1999.
TRINDADE, Solano. Poemas antológicos de Solano Trindade. Organização de Zenir Campos Reis. São Paulo: Nova Alexandria, 2011.
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