PORTAL DE REVISTAS DA USP

Logotipo USP

Vol. 22 No. 2 (2011)

Published: 2011-12-17

Apresentação

Presentation

Célia Regina de Toledo Lucena

9-13
- PDF (Portuguese)

Dossiê Amazônia

Cinema, Memories, Story: reconstruction of himself and the other in “FOTOGRAFÍAS” of ANDRÉS DI TELLA film from the perspective of Walter Benjamin

Pere Petit

15-44
- PDF (Portuguese)
Canudos.Two different points of view: The “ Canudo’s” war in literature and in the cinema

Giuseppe Rocalli Ponce Leon de Oliveira, Francisco Álisson Oliveira, João Batista Dias Vieira

45-56
- PDF (Portuguese)
Memory of dictatorship in cinema: representation of filmic aspects in the armed struggle conflicts in Brazilian military regime period

Marcia de Souza Santos

57-74
- PDF (Portuguese)
Direct cinema and event-word: Brazilian documentary and social research in the 1960s.

Rosana Elisa Catelli

75-94
- PDF (Portuguese)
Faces of war

Camila Gonçalves De Mario

95-108
- PDF (Portuguese)
Two women films in four plots: “Xica da Silva” e “Eternamente Pagu”

Inês Assunção de Castro Teixeira, Ana Lúcia Faria e Azevedo

109-124
- PDF (Portuguese)
False images and false mirrors: The film Abre los ojos by Alejandro Amenábar

Brígida M. Pastor

125-142
- PDF (Spanish)
Female representation in “Metrópolis by Fritz Lang"

Maristela Bizarro

143-160
- PDF (Portuguese)
The Society of the spectacle and the commodity fetishism life in “The Wizard” film

Soleni Biscouto Fressato, Jorge Nóvoa

161-170
- PDF (Portuguese)
Cinema, Memories, Story: reconstruction of himself and the other in “FOTOGRAFÍAS” of ANDRÉS DI TELLA film from the perspective of Walter Benjamin

José Walter Nunes

171-186
- PDF (Spanish)
Image and Social Sciences: audiovisual anthropology view.

Paula Morgado

187-200
- PDF (Portuguese)

Resenha

FAITHFUL COPY BY ABBAS KIAROSTAMI (2010)

Célia Regina de Toledo Lucena

201-204
- PDF (Portuguese)
REPORTS ON THE INSERTION OF FILMS IN TEACHING HISTORY

Marcelo Gustavo Costa de Brito

205-212
- PDF (Portuguese)
REVIEW: A COR DA ROMÃ (THE COLOR OF THE POMEGRANATE) (ЦВЕТ ГРАНАТА), ARMÊNIA, URSS, 1968), DIREÇÃO DE SERGUEI

Svetlana Ruseishvili

213-218
- PDF (Portuguese)