The metaphor og the matryoshka dolls animated by the logo as the creative principle of dramaturgy
DOI:
https://doi.org/10.11606/issn.2238-3999.v5i2p41-53Keywords:
Craig, dramatic text, Deleuze, über-marionetteAbstract
The object of this study is to trace an approximation between the ideas
related to Edward Gordon Craig’s über-marionette and two contemporary
works: the first in theatre, Ninguém falou que seria fácil (2011),
written by Felipe Rocha, and the second in cinema, Synecdoche, New
York (2008), script written by Charlie Kaufman. The hypothesis is that
the idea of the actor in Craig’s über-marionette finds an echo, in terms
of creating roles, in these two dramatic texts, in which the characters,
as animated matryoshkas, behave as puppets of the other characters
in the text, resulting in a logic game of theatricality and in the dissolution
of their realistic characteristics.
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