Helen Waddell's The Spoiled Buddha: Intercultural and Gynocentric Dimensions of an Irish Play

Autores

  • Wolfgang Zach Universität Innsbruck

DOI:

https://doi.org/10.11606/issn.2595-8127.v3i1p41-48

Resumo

This paper analyses the presence of intercultural elements in Helen Waddell's The Spoiled Buddha and discusses its importance for the Irish stage as it breaks with the stage conventions of her time. The analyses also reveals Waddell's antipatriarchal protest and the relationship between man and woman against the male dominated world of Buddhist Japan.

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Publicado

2001-06-01

Edição

v. 3 (2001): ABEI Journal 3

Seção

Drama

Licença

Copyright (c) 2001 Wolfgang Zach

Creative Commons License

Este trabalho está licenciado sob uma licença Creative Commons Attribution-NonCommercial 4.0 International License.

Como Citar

Zach, W. (2001). Helen Waddell’s The Spoiled Buddha: Intercultural and Gynocentric Dimensions of an Irish Play. ABEI Journal, 3(1), 41-48. https://doi.org/10.11606/issn.2595-8127.v3i1p41-48