Helen Waddell's The Spoiled Buddha: Intercultural and Gynocentric Dimensions of an Irish Play
DOI:
https://doi.org/10.11606/issn.2595-8127.v3i1p41-48Abstract
This paper analyses the presence of intercultural elements in Helen Waddell's The Spoiled Buddha and discusses its importance for the Irish stage as it breaks with the stage conventions of her time. The analyses also reveals Waddell's antipatriarchal protest and the relationship between man and woman against the male dominated world of Buddhist Japan.
Downloads
Published
2001-06-01
Issue
Section
Drama
License
Copyright (c) 2001 Wolfgang Zach
This work is licensed under a Creative Commons Attribution-NonCommercial 4.0 International License.
How to Cite
Zach, W. (2001). Helen Waddell’s The Spoiled Buddha: Intercultural and Gynocentric Dimensions of an Irish Play. ABEI Journal, 3(1), 41-48. https://doi.org/10.11606/issn.2595-8127.v3i1p41-48