Helen Waddell's The Spoiled Buddha: Intercultural and Gynocentric Dimensions of an Irish Play

Auteurs

  • Wolfgang Zach Universität Innsbruck

DOI :

https://doi.org/10.11606/issn.2595-8127.v3i1p41-48

Résumé

This paper analyses the presence of intercultural elements in Helen Waddell's The Spoiled Buddha and discusses its importance for the Irish stage as it breaks with the stage conventions of her time. The analyses also reveals Waddell's antipatriarchal protest and the relationship between man and woman against the male dominated world of Buddhist Japan.

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Publiée

2001-06-01

Numéro

Vol. 3 (2001): ABEI Journal 3

Rubrique

Drama

Licence

(c) Copyright Wolfgang Zach 2001

Creative Commons License

Ce travail est disponible sous licence Creative Commons Attribution - Pas d’Utilisation Commerciale 4.0 International.

Comment citer

Zach, W. (2001). Helen Waddell’s The Spoiled Buddha: Intercultural and Gynocentric Dimensions of an Irish Play. ABEI Journal, 3(1), 41-48. https://doi.org/10.11606/issn.2595-8127.v3i1p41-48