About the Journal

The Via Atlântica journal, a bi-annual peer-reviewed publication by the Graduate Program in Portuguese-speaking Literature Comparative Studies at the University of São Paulo, Brazil, aims to bring scholars from Brazil and abroad the results of investigations carried out by experts in the fields of Lusophone Comparative Studies, Comparative Literature, Literature for Children and Youngsters, Lusophone African Literature, Brazilian Literature, Portuguese Literature and other Lusophone literatures and cultures. It is also part of Via Atlântica’s scope the publication of articles that address the interdisciplinary relations of literature to other art forms and to other fields of knowledge. Every issue of Via Atlântica comprises a leading “Thematic Section” and other eventual sections as “Other Essays”, “Interviews” and “Reviews” of books of interest to Lusophone Comparative Studies and related areas. Via Atlântica is rated in CNPq’s fields of knowledge table as an Other Vernacular Literatures publication (8.02.07.00-6).

Announcements

Dossier 49, African Literatures in Portuguese in the 19th and early 20th centuries: Formative Aspects

2024-09-27

CALL FOR PUBLICATIONVIA ATLÂNTICA, v. 27, n. 2

Via Atlântica invites researchers to participate in the Thematic Dossier no. 49, African Literatures in Portuguese Language in the 19th and early 20th centuries: Formative Aspects.

Deadline for submission of papers: October 1, 2024, to March 31, 2025.
Expected publication date: December 2026.

Read more about Dossier 49, African Literatures in Portuguese in the 19th and early 20th centuries: Formative Aspects

Current Issue

Vol. 25 No. 2 (2024): Women's Literature: Memories, Peripheries and Resistance in the Luso-Afro-Brazilian Space
					View Vol. 25 No. 2 (2024): Women's Literature: Memories, Peripheries and Resistance in the Luso-Afro-Brazilian Space

The special dossier “Women’s Literature: Memories, Peripheries and Resistances in the Lush-Afro-Brazilian Space” is part of the research project Women’s Literature: Memories, Peripheries and Resistances in the Lush-Afro-Brazilian Atlantic, with the acronym WomenLit, approved for funding by the Foundation for Science and Technology, in Portugal, and which brought together a team of researchers affiliated with universities and scientific research centers in Portugal, Brazil, Angola, and Mozambique. While the professional affiliation of the organizers of the dossier reflects this breadth and geographical diversity, the articles included explore the writing of women from São Tomé and Príncipe, Guinea-Bissau, Mozambique, Angola, Brazil, and Portugal. The aim was to think about literature written by women in the Portuguese-Afro-Brazilian space, contributing to a discussion around the representations of memory and post-memory and the questions regarding the definition of literary canons and different literary strategies that resist the representation of hegemonic male subjectivities in narratives of collective memory.

Published: 2025-04-28

Outros Textos

Entrevistas

  • Carolina's point of view: interview with Dalva Maria Soares

    DOI: https://doi.org/10.11606/va.v25.n2.2024.217851
    Susan de Oliveira
    268-274

Resenhas

  • O que é ser uma escritora negra, de acordo comigo.

    DOI: https://doi.org/10.11606/va.v25.n2.2024.222299
    Danielle Duque Baracho
    275-280
  • Ferry

    DOI: https://doi.org/10.11606/va.v25.n2.2024.217961
    Luciana Teixeira Martinez
    281-286

Dossiê 46: Literatura de Mulheres: Memórias, Periferias e Resistências no Espaço

  • A haunted house-nation: Conceição Lima and the post-colonial nation of São Tomé and Príncipe

    DOI: https://doi.org/10.11606/va.v25.n2.2024.219454
    Inês Rodrigues
    9-25
  • Odete Semedo’s canto-poem: memory, acestry ad resistance in No Fundo do Canto (2007)

    DOI: https://doi.org/10.11606/va.v25.n2.2024.216640
    Luis Carlos Alves de Melo
    26-46
  • Representations of gender across the Atlantic: Clarice Lispector and Hélia Correia

    DOI: https://doi.org/10.11606/va.v25.n2.2024.218003
    Ana Raquel Fernandes
    47-59
  • Foreign to myself: body and migration in Tatiana Salem Levy’s A chave de casa

    DOI: https://doi.org/10.11606/va.v25.n2.2024.217495
    Ana Castro, Alva Teixeiro
    60-75
  • Metonymy of the Body in Luanda, Lisbon, Paraíso, by Djaimilia Pereira de Almeida

    DOI: https://doi.org/10.11606/va.v25.n2.2024.216822
    Flávio Silva Corrêa de Mello
    76-91
  • Poetics of expropriation, a conceptual effort

    DOI: https://doi.org/10.11606/va.v25.n2.2024.217901
    Ellen Cristine Wassu
    92-110
  • Healing words to go back to the mouth of the river. Performative utterance as decolonial practice in Ellen Lima

    DOI: https://doi.org/10.11606/va.v25.n2.2024.215438
    Margarida Rendeiro
    111-129
  • Literature as decolonial praxis, self-expression and territory: Fernanda Vieira and Brazilian indigenous women author’s autobiogeografias

    DOI: https://doi.org/10.11606/va.v25.n2.2024.217865
    Federica Lupati
    130-136
  • Literature and ancestry in Lia Minapoty's literary production

    DOI: https://doi.org/10.11606/va.v25.n2.2024.216633
    Iara Tatiana Bonin, Maristela de Melo Braga
    137-158
  • Artistic theories and practices: provocations, reflections and limits of objetivity based on immigrant and women’s writing

    DOI: https://doi.org/10.11606/va.v25.n2.2024.217746
    Noemi Alfieri
    159-176
  • Moz Slam and the new dynamics of spoken poetry in Mozambique in 21st century

    DOI: https://doi.org/10.11606/va.v25.n2.2024.215816
    Miriane Peregrino
    177-199
  • Irene A'mosi: Worldview of Peripheral Pasts of Violence, Stratification and Subalternity

    DOI: https://doi.org/10.11606/va.v25.n2.2024.218157
    Esperança Madalena Luieca Ferraz
    200-212
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