BRAZIL: TWO VOICES, TWO MEASURES
DOI:
https://doi.org/10.11606/va.v0i35.155051Keywords:
Brazil, enunciation, politics, power relationsAbstract
It is attempted, in the reading of Quarenta dias, by Maria Valéria Rezende, to investigate how the enunciative process of the novel (BAKHTIN, 2009, 2010, 2011, BENVENISTE, 1989, 1985, CANDIDO, it becomes the formal principle responsible for the displacement / pointing of tensions that dynamize relations of power staged in the novel (PAULINO, WALTY, 2005). That formal principle manifests itself in the duel between the voice of the Barbie doll and the voice of the narrator Alice so that this stylization structures both the microenunciation and the macroenunciation of the novel.
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