Roberto Carlos and Brazilian Identity in Song
DOI:
https://doi.org/10.11606/issn.2316-901X.v0i54p151-166Keywords:
Roberto Carlos, mass culture, MPB, samba.Abstract
Roberto Carlos is at once the most popular and most widely rejectedof Brazilian artists. The paper aims to understand the roots of thiscontradiction, including both the positives and value of his work -trying to relativize a number of stigmas and prejudices that surroundhis figure, and demonstrate, so to speak, the legitimacy of his crown– and, on the other hand, the standpoints of his detractors, in order toreveal the set of interests and positions that undergird these criticaljudgments.Downloads
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Published
2012-03-01
Issue
Section
Articles
License
- Todo o conteúdo do periódico, exceto onde está identificado, está licenciado sob uma Licença Creative Commons do tipo atribuição CC-BY.
How to Cite
Oliveira, A. (2012). Roberto Carlos and Brazilian Identity in Song. Revista Do Instituto De Estudos Brasileiros, 54, 151-166. https://doi.org/10.11606/issn.2316-901X.v0i54p151-166