The Formalization of defeat: about “Eles” and “A Voz do Morto”, by Caetano Veloso
DOI:
https://doi.org/10.11606/issn.2316-901X.v0i61p56-81Keywords:
Caetano Veloso, mourning, national-popular, international-popular.Abstract
By examining two songs by Caetano Veloso in the end of the 1960s, “Eles” (1968) and “A voz do morto” (1968), I intend to understand how these songs express the mourning of relevant precepts of the left wing and the cultural policy linked to the national popular. Finally, in describing the criticism of Roberto Schwarz toward the tropicalismo and Caetano Veloso, I aim for demonstrating how the issues highlighted by him - through the analysis of the memoir of Veloso - were already expressed in the songs of Caetano in the late 1960s.Downloads
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Published
2015-07-22
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- Todo o conteúdo do periódico, exceto onde está identificado, está licenciado sob uma Licença Creative Commons do tipo atribuição CC-BY.
How to Cite
Santos, D. V. dos. (2015). The Formalization of defeat: about “Eles” and “A Voz do Morto”, by Caetano Veloso. Revista Do Instituto De Estudos Brasileiros, 61, 56-81. https://doi.org/10.11606/issn.2316-901X.v0i61p56-81