A transcendência no corpo-linguagem: a concepção de dança em Rousseau

Auteurs

  • Jacira de Freitas Rosa Universidade de São Paulo. Faculdade de Filosofia, Letras e Ciências Humanas

DOI :

https://doi.org/10.11606/issn.2447-9772.i2p37-45

Mots-clés :

Rousseau, dance, imitation, pitié

Résumé

This paper aims at the understanding the role of Dance in Rousseau’s political philosophy and particularly in folk festivals, in spite of the few passages the philosophe has dedicated to its analysis. The discussion is mainly concerned with the definition of the essential components that define festival-dances in opposition to Ballet and mark its own performing sphere. The structural conditions for evading the solipsism in which man is trapped by society are to be found in imitation, tactile sensations and in pitié .

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Biographie de l'auteur

  • Jacira de Freitas Rosa, Universidade de São Paulo. Faculdade de Filosofia, Letras e Ciências Humanas
    Doutoranda em Filosofia pela Universidade de São Paulo

Téléchargements

Publiée

2002-12-16

Numéro

No 2 (2002)

Rubrique

Resenhas

Licence

(c) Copyright Rapsódia 2002

Creative Commons License

Ce travail est disponible sous licence Creative Commons Attribution - Pas d’Utilisation Commerciale - Partage dans les Mêmes Conditions 4.0 International.

Comment citer

Rosa, J. de F. (2002). A transcendência no corpo-linguagem: a concepção de dança em Rousseau. Rapsódia, 1(2), 37-45. https://doi.org/10.11606/issn.2447-9772.i2p37-45