Poetry as erasure in Carlfriedrich Claus and Ana Hatherly

Autores/as

  • André Luiz do Amaral Universidade Estadual Paulista Júlio de Mesquita Filho, Programa de Pós-Graduação em Letras

DOI:

https://doi.org/10.11606/1982-8837213336

Palabras clave:

Experimental Poetry, Concrete Poetry, Visual Poetry, Poetry Criticism, Theory of Poetry.

Resumen

Carlfriedrich Claus and Ana Hatherly visual works are outside what is conventionally named poetry. A poetry without words remains impossible for the defenders of writing as a logocentric practice. Therefore, the authors studied here invite a deviant reading of the contemporary poetry. They assume contemporary poetry tends toward iconicity and even the complete illegibility as a way of aesthetically apprehending the chaotic world. Since they neither follow the same rules of the traditional lyric, nor can they be read from those regulating principles, these poets deliberately obliterate texts implicate an unequivocal transformation of the creative and reading methods, notwithstanding the resistance from some lines of criticism.

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Publicado

2017-11-23

Número

Sección

Artículos

Cómo citar

AMARAL, André Luiz do. Poetry as erasure in Carlfriedrich Claus and Ana Hatherly. Pandaemonium Germanicum, São Paulo, Brasil, v. 21, n. 33, p. 36–63, 2017. DOI: 10.11606/1982-8837213336. Disponível em: https://journals.usp.br/pg/article/view/140880.. Acesso em: 25 jun. 2024.