Do prestígio e da construção da imortalidade: os Sanjûrokkasen através das três primeiras coletâneas imperiais e Man’yôshû

Authors

  • Silvia Reis Universidade Federal do Rio de Janeiro. Museu Nacional

DOI:

https://doi.org/10.11606/ej.v0i38.148813

Keywords:

Sanjûrokkasen, Imperial collection, Fujiwara no Kintô

Abstract

Fujiwara no Kintô’s Sanjûrokkasen is an intriguing list. With thirty six poets considered by Kintô as sages or genius in poetry composition, through the Sanjûrokkasen it’s possible to catch glimpses of the Heian court at his age. Given Kintô’s status as poet and uta awase judge, his list is in some way related to the court’s imaginary as well as to his personal inclinations. In the same vein, the imperial collections supplies us with evidence about poets that were considered worthy to have their poetry selected – be it for talent or political reasons – by their peers or posterior generations. Nevertheless, trying to understand such list as the Sanjûrokkasen, their presence was analyzed in the first three imperial collections, Kokinshû, Gosenshû and Shûishû, plus Man’yoshu.

Downloads

Download data is not yet available.

Author Biography

  • Silvia Reis, Universidade Federal do Rio de Janeiro. Museu Nacional

    Grupo de Pesquisa Interdisciplinar de Estudos Japoneses, Museu Nacional, Universidade Federal do Rio de Janeiro.

Published

2017-08-09

Issue

Section

Papers

How to Cite

Do prestígio e da construção da imortalidade: os Sanjûrokkasen através das três primeiras coletâneas imperiais e Man’yôshû. (2017). Estudos Japoneses, 38, 81-96. https://doi.org/10.11606/ej.v0i38.148813