The writing of Assia Djebar in dialogue with geopoetic thought of Edouard Glissant: a reading of the novel La femme sans sépulture
DOI:
https://doi.org/10.11606/issn.1984-1124.i32p98-110Keywords:
Glissant's geopoetics, Landscape, Memory, Language, LiteratureAbstract
This article aims to reflect on the relationships between landscape, memory and language in the work La femme sans sépulture (2002), by the Algerian author Assia Djebar, in light of the notion of Geopoetics coined by the Martinican writer, poet and essayist Édouard Glissant. These three dimensions (landscape, memory/time and language), which characterize the conception of Geopoetics, lead to a broader view of the political and sociocultural reality of the world and a possibility of reconstructing History beyond official records. In this way, it is intended to present a reading of the novel under this glissantian gaze, which, through the Poetics of Relation, seeks to apprehend the real from these three essential dimensions of understanding the world and, thus, rewrite, through several possible stories, the past of countries marked by colonization, such as Martinique by Glissant and Algeria by Djebar.
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