Dança, Circo e Risco: Diálogos na Cena Contemporânea

Authors

  • Bianca Simões Peixoto Escola Casa Via Magia

DOI:

https://doi.org/10.11606/issn.2238-3999.v3i1p85-95

Keywords:

Dance, Circus, Body, Co-evolution, Cultural hybridism.

Abstract

This study aims to investigate the hybridization process that has been taking place in the contemporary scene between the artistic fields of dance and circus. It is based on studies conducted in the areas of General Systems Theory, “Corpomídia” Theory, and Cultural Hybridism Theory. We brought to the research field two Brazilian companies: Picolino Company of the Circus Arts (BA) and Cia Dani Lima (RJ), a dance company. The outline of such investigative phenomenon appears from the literature review and interviews with members / founders of these two companies, about their creative processes. This research proposes, finally, that the rapprochement between these two areas can be understood as an adaptive solution, which has allowed the continuation of their activity in the face of nowadays intense social-cultural changes, irreversibly transforming their fields.

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Author Biography

  • Bianca Simões Peixoto, Escola Casa Via Magia

    Mestre em Dança pelo Programa de Pós-Graduação em Dança da Universidade Federal da Bahia/2010 Orientadora: Profa. Dra. Fátima Daltro Corrêa - Bolsa FAPESB Dançarina, artista circense, professora e pesquisadora de dança e circo. Graduada em Dança pela Universidade Federal da Bahia. Participa como intérprete criadora na Cia Fulanas e ensina dança no ensino fundamental na Escola Casa Via Magia.

Published

2013-12-01

Issue

Section

Artigos (Articles)

How to Cite

Dança, Circo e Risco: Diálogos na Cena Contemporânea. (2013). Revista Aspas, 3(1), 85-95. https://doi.org/10.11606/issn.2238-3999.v3i1p85-95