On the Concept of the Face, Regarding the Son of God: The Inexplicability of An Unnamed Loss

Authors

  • Alessandra Montagner Sem vínculo institucional

DOI:

https://doi.org/10.11606/issn.2238-3999.v3i1p37-48

Keywords:

Socìetas Raffaello Sanzio, Spectator, Experience, Queasiness

Abstract

 The present essay aims at the revisitation of the author’s personal experience as a spectator of On the Concept of the Face, Regarding the Son of God, by the Italian theatre company, Socìetas Raffaello Sanzio. The author describes, in detail, the moments and feelings comprising that experience, and utilises aspects of contemporary theatre theory to critically analyse, and support, the discomfort and frustration experienced by her.

 

 

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Author Biography

  • Alessandra Montagner, Sem vínculo institucional

    Mestre em Artes Dança-teatro: o corpo em performance (2012), pelo Trinity Laban Conservatoire of Music and Dance Teorias da Performance/ Martin Hargreaves Artigo referente à pesquisa concluída Diretora e atriz

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Published

2013-12-01

Issue

Vol. 3 No. 1 (2013): aSPAs

Section

Artigos (Articles)

License

Copyright (c) 2013 Revista Aspas

Creative Commons License

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How to Cite

On the Concept of the Face, Regarding the Son of God: The Inexplicability of An Unnamed Loss. (2013). Revista Aspas, 3(1), 37-48. https://doi.org/10.11606/issn.2238-3999.v3i1p37-48