Performance Art in Brazil: a story in wich we believe before it exists
DOI:
https://doi.org/10.11606/issn.2238-3999.v11i1p104-116Keywords:
education, network, performance artAbstract
This article seeks to highlight performance art in Brazil as an artistic expression that predates the official nomenclature. It recognizes the 1980s as fundamental for the continuity of this practice and discusses initiatives that have established performance art as a constant expression in the national artistic universe, revising the contributions of Education professionals to this overview from self-managed organizations. The theoretical background relies on the works of artists and organizers of their works, such as Araújo (2012), Bezerra (2014), Castanheira (2018), and Vieira Jr (2016). The methodology is backed by our involvement with the universe of performance art in Brazil, and the network of artists that sustain it.
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BEZERRA, Andre Luiz Rodrigues. Circuito regional de performance BodeArte: encontros, coletividade e política na performance do Rio Grande do Norte. Natal, 2014. Dissertação de Mestrado. Universidade Federal do Rio Grande do Norte.
CASTANHEIRA, Ludmila Almeida. Performance arte: modos de existência. Curitiba: Appris, 2018.
OSÓRIO, Luiz Camillo. Flávio de Carvalho. São Paulo: Cosac Naify, 2009.
SIMÕES, Rosa Maria Araújo. O Núcleo UHUU de pesquisa da performance: interação e inter-locus-ação. In: Proceedings of World Congress on Communication and Arts. v. 5, p. 101-105, 2012.
SOUSA, Grasiele (Org.). BrP: Um, dois, três… testando! Revista Performatus. Ano 3, n. 14, jul. 2015. VIEIRA JR, Erly (Org.). Marcus Vinícius: a presença do mundo em mim. Vitória: Editora Pedregulho, 2016.
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