Performance, image and drama in Christiane Jatahy's scene

Abstract

We will examine some of the procedures by director Chistiane Jatahy, to indicate movements in the contemporary scene that break with the dramatic text and openness to other imaginary, symbolic, visual elements. With a procedural, transitory and performative bias, his field of research has invested in the desire to overcome the separation between art and life, as a way of destabilizing the links of the dramatic narrative. Through Fischer-Lichte, Bident, Lehman, Pavis and Artaud, we will analyze the hybridizations of language and propositions of a scene located in an area of ​​concomitance between fragmentation and homogeneity, presence and representation, performance and theater.