The theater and the gambiarra: contemporary aspects

Authors

  • Assis Benevenuto Vidigal Universidade Federal de Minas Gerais

DOI:

https://doi.org/10.11606/issn.2238-3999.v10i2p129-144

Keywords:

capitalism, dramaturgy, Market, Scenography, Tactics

Abstract

This text reflects on how the universe of gambiarra (Rodrigo Boufleur) is present in contemporary theatrical work. For this purpose, the relationship between the theater and the beginning of modernity is traced, the transformations occurred by the insertion of the market from the clash between the Old and New World. Davi Kopenawa, Ailton Krenak and Sérgio de Carvalho support this perspective. The scenic creations of the mineiro group Quatroloscinco Teatro do Comum attest to the theoretical corpus, demonstrating scenographically and dramaturgically visible aspects of the gambiarra.

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Author Biography

  • Assis Benevenuto Vidigal, Universidade Federal de Minas Gerais

    UFMG; Doutorando; Pesquisa em andamento (2020-2024). Área de estudo: literaturas modernas e contemporâneas. Linha de pesquisa: literatura, outras artes e mídias. Orientadora: Sara Rojo. Atuação prossional: Ator, dramaturgo, diretor, editor de teatro pela Editora Javali. Integrante do Grupo Quatroloscinco Teatro do Comum.

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Published

2020-12-31

Issue

Vol. 10 No. 2 (2020): Visualidades das Cenas

Section

Artigos (Articles)

License

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How to Cite

The theater and the gambiarra: contemporary aspects . (2020). Revista Aspas, 10(2), 129-144. https://doi.org/10.11606/issn.2238-3999.v10i2p129-144