CREATIVITY AND SCENIC INTERCULTURAL COMMUNICATION

Authors

  • Inaicyra Falcão dos Santos Instituto de Artes da Universidade Estadual de Campinas

DOI:

https://doi.org/10.11606/issn.2238-3999.v7i1p6-19

Keywords:

Art, Dance, Education, Memory.

Abstract

The conceptual limitations concerning the African dance or, as I consider it, African-Brazilian are resulted from officially established epistemological hegemonic bases, which do not provide references that diffuse artistic diversity in its different aspects and contexts. In this experience, I delineate the path suggested by Corpo e ancestralidade, whose proposal indicates possibilities for research and creation in the performing arts and education, based on the relationship between art and the African-Brazilian tradition. In this conjuncture, I propose paths that intertwine study, teaching, and creative process, and, above all, I highlight new possibilities for the ancestral African teachings in the broader understanding of intercultural communication in contemporary times. 

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Author Biography

  • Inaicyra Falcão dos Santos, Instituto de Artes da Universidade Estadual de Campinas

    Professora doutora livre-docente do Instituto de Artes da Universidade Estadual de Campinas.

References

ANDRAUS, M. B. M. Arte marcial na formação do artista da cena. Jundiaí: Paco, 2014.

BROWN, J. M. The vision of modern dance. Trenton: Princeton Book, 1979.

SANTOS, D. M. Tradição e contemporaneidade. In: COLOQUIO MAGICIENS DE LA TERRE, 1989, Paris. Procédures… Paris: Musée National d’Art Moderne/Centre Georges Pompidou, 1989.

SANTOS, I. F. Da tradição africana brasileira a uma proposta pluricultural de dança-arte-educação. 1996. 203 p. Tese (Doutorado em Educação) – Faculdade de Educação, Universidade de São Paulo, São Paulo, 1996.

______. Corpo e ancestralidade: uma proposta pluricultural de dança-arte-educação. 3. ed. São Paulo: Terceira Margem, 2014.

TARKOVSKI, A. Esculpir o tempo. São Paulo: Martins Fontes, 1990.

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Published

2017-06-30

Issue

Vol. 7 No. 1 (2017): O afro-contemporâneo nas artes cênicas: reflexões metodológicas de pesquisa e criação no contexto pós-colonial

Section

Especial (Special)

License

Copyright (c) 2017 Revista Aspas

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How to Cite

CREATIVITY AND SCENIC INTERCULTURAL COMMUNICATION. (2017). Revista Aspas, 7(1), 6-19. https://doi.org/10.11606/issn.2238-3999.v7i1p6-19