The disclosure of Graciliano Ramos in Portugal on the pages of the Atlântico magazine: support and mitigation of sense

Authors

DOI:

https://doi.org/10.11606/va.v0i31.131891

Keywords:

Graciliano Ramos, Atlântico, Revista Luso-Brasileira, José Osório de Oliveira, Infância [Childhood], Brazilian and Portuguese Estado Novo

Abstract

This article aims to examine the collaboration of Graciliano Ramos with the Luso-Brazilian magazine Atlântico, the most important editorial link of the literary and intellectual exchange agreed by the Salazar and Vargas dictatorships after the Cultural Agreement of 1941. In this investigative process, we present the guidelines of the journal’s editorial policy and the discursive ambience with which it sought to frame the texts. Then, we discuss how the critical dimension of the memorialistic paintings published by the Alagoan author in Atlântico tried to be mitigated by the proposal of the vehicle to present itself as a luxurious and biased album of literary harmony between the two nations.

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Author Biography

  • Thiago Mio Salla, Universidade de São Paulo. Escola de Comunicações e Artes
    Professor Doutor da Escola de Comunicações e Artes da Universidade de São Paulo

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Published

2017-12-20

Issue

Vol. 18 No. 1 (2017): Literatura e política nos países de língua portuguesa

Section

Dossiê 31: Literatura e Política nos países de língua portuguesa

License

Copyright (c) 2017 Thiago Mio Salla

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How to Cite

SALLA, Thiago Mio. The disclosure of Graciliano Ramos in Portugal on the pages of the Atlântico magazine: support and mitigation of sense. Via Atlântica, São Paulo, v. 18, n. 1, p. 59–78, 2017. DOI: 10.11606/va.v0i31.131891. Disponível em: https://journals.usp.br/viaatlantica/article/view/131891.. Acesso em: 18 may. 2024.