A century of strangeness

Authors

  • Irene Machado USP

DOI:

https://doi.org/10.11606/issn.2316-7114.sig.2012.71200

Keywords:

Cinema, strangeness, ostranenie, Chklóvski.

Abstract

How did the concept of ostranenie (strangeness) emerge in poetic
language and become the manifestation of aesthetic experience?
How did the technical cinematic devices transform the perception
of the visual world? From the answers to these questions the articles
of this book about the role of the concept of ostranenie were born.
These cover not only the artistic movement in Russia during the 20’
but also those of cinema and media.

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Author Biography

  • Irene Machado, USP
    Professora livre-docente no Programa de Pós-Graduação em Comunicação e no Departamento de Comunicações e Artes da Escola de Comunicações e Artes da Universidade de São Paulo.

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Published

2012-12-23

Issue

Vol. 39 No. 38 (2012)

Section

Reviews

License

Copyright (c) 2012 Irene Machado

Creative Commons License

This work is licensed under a Creative Commons Attribution-NonCommercial 4.0 International License.

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How to Cite

A century of strangeness. (2012). Significação: Journal of Audiovisual Culture, 39(38), 311-322. https://doi.org/10.11606/issn.2316-7114.sig.2012.71200