Perrault, Rouch: slippages between the “direct cinema/cinéma-vérité” and the “lived cinema”

Authors

  • Marcius Freire Universidade Estadual de Campinas. Departamento de Cinema

DOI:

https://doi.org/10.11606/issn.2316-7114.sig.2012.71137

Keywords:

Documentary, direct cinema, cinéma-vérité, lived cinema, improvisation

Abstract

Contemporaneous, documentary filmmakers who have had on the
“Other” the points of departure and arrival of their works, Perrault
and Rouch go to the encounter of Flaherty each one in their own
way. Shared anthropology, anthropology of memory, in both,
mise-en-scène of gesture and word. This paper intents to analyze,
from some of their films and in the light of the precepts of filmic
anthropology, the strategies of mise-en-scène of the two filmmakers
seeking to identify the distinctive features that anchor them in the
historic world.

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Author Biography

  • Marcius Freire, Universidade Estadual de Campinas. Departamento de Cinema
    Professor livre-docente do Departamento de Cinema e do Programa de Pós-Graduação em Multimeios da Universidade Estadual de Campinas.

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Published

2012-12-23

Issue

Vol. 39 No. 38 (2012)

Section

Articles

License

Copyright (c) 2012 Marcius Freire

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How to Cite

Perrault, Rouch: slippages between the “direct cinema/cinéma-vérité” and the “lived cinema”. (2012). Significação: Journal of Audiovisual Culture, 39(38), 27-39. https://doi.org/10.11606/issn.2316-7114.sig.2012.71137