Historical poetics between Russia and the West: toward a non-linear model of literary history and social ontology

Authors

  • Ilya Kliger New York University

DOI:

https://doi.org/10.11606/issn.2317-4765.rus.2023.216103

Keywords:

Historical poetics, Marxist literary theory, Persistence of forms

Abstract

This essay explores the manner in which the persistence of literary forms in history has been addressed by the Russian tradition of Historical Poetics (Alexander Veselovsky, Viktor Zhirmunsky, Mikhail Bakhtin, Russian Formalism) and within a certain strain of Western Marxism (Georg Lukács, Walter Benjamin, Fredric Jameson). The discussion is in part descriptive and in part programmatic: a reconstruction that does not pretend to do full justice to any one of these thinkers independently but strives to outline a field, the various inflections of which produce complementary perspectives and points of emphasis. The focus is on the central problematic of the paradigm: an attempt to construct a universal history of literary forms in their relation to the social conditions — and modes — of their production on the basis of a certain understanding of the past's vitality and mobility in the present.

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Published

2023-11-30

How to Cite

Kliger, I. (2023). Historical poetics between Russia and the West: toward a non-linear model of literary history and social ontology . RUS (Sao Paulo), 14(25), 69-114. https://doi.org/10.11606/issn.2317-4765.rus.2023.216103