Chico Bororó Mignone
DOI:
https://doi.org/10.11606/issn.2316-901X.v0i42p11-29Keywords:
History, Popular, Memory, Nationalism, MusicAbstract
In this article, we intend to analyse the edification of a memory about the conceptions of a popular, o italiano and o brasileiro in Francisco Mignone´s work inside a specific cultural and historical context: the conflicts of the modernist tendencies in Music, in opposition of the post-romantism (tradition) and the european vanguards of the decades 20 and 30. Considering Mário de Andrade´s articles and Francisco Mignone´s report, we will discuss the sacralization of a memory erected in the 20 and 30´s, as the representation of a historical verity, by the historiographer Bruno Kiefer, in 1983.Downloads
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Published
1997-01-31
Issue
Section
Música Brasileira: Centenários em 97
License
- Todo o conteúdo do periódico, exceto onde está identificado, está licenciado sob uma Licença Creative Commons do tipo atribuição CC-BY.
How to Cite
Contier, A. D. (1997). Chico Bororó Mignone. Revista Do Instituto De Estudos Brasileiros, 42, 11-29. https://doi.org/10.11606/issn.2316-901X.v0i42p11-29