Appropriating Memories: Home Movies and Spatial Montage

Abstract

Meaning in home movies if often limited for viewers who were not involved with the original event recorded on film. However, the advent of new media technologies and grammars, together with a shift from private viewing to online, public exhibition, has enabled the home movie to be re-contextualized into a more accessible experience for a range of audiences. The emphasis on preserving memory in the home movie, together with the role of (computer) memory in a digital age, open up rich possibilities for new kinds of meaning-making when these forms intersect.