Dançando contra o organismo: o butôh de Hijikata Tatsumi
DOI:
https://doi.org/10.11606/issn.2447-9772.i14p59-70Keywords:
Dance, Body, Body without organs, Butôh, Hijikata TatsumiAbstract
This article addresses the ankoku butôh creative corpus, or the dance of darkness. Hijikata Tatsumi’s butôh, with the tension of its movements, pulls off the purpose out of the bodies which incarnate the dance. As a cadaver risking its life, in the most exhausting experimentations, it transmutes itself into writing for the sake of the continuous engendering of corporealities. Such a process will be brought to light here with the assistance, above all, of the “body without organs” – a concept brought up by Antonin Artaud and Gilles Deleuze.
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References
BARBER, Stephen. Hijikata: revolt of the body. Londres: Creation Books, 2006.
DELEUZE, Gilles. Diferença e repetição. Rio de Janeiro/São Paulo: Paz & Terra, 2018.
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DELEUZE, Gilles. Lógica do sentido. São Paulo: Perspectiva, 1982.
PERETTA, Éden. “L’anticorpo di Hijikata Tatsumi”. In: Danza e ricerca. Laboratorio di studio, scrittura, visioni, Bolonha, n. 3, pp. 125-168, 2012.
UNO, Kuniichi. A gênese de um corpo desconhecido. 2ª edição. São Paulo: n-1 edições, 2014.
VIALA, Jean & MASSON-SEKINE, Nourit. Butoh. Shades of darkness. Tóquio: Shufunotomo, 1988.
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