The opposites that don't oppose
narratives of fear and ecstasy about the end of the humankind from the technological Singularity and Black Mirror.
DOI:
https://doi.org/10.11606/khronos.v0i9.171670Keywords:
Narratives, End of humankind, Technological Singularity, Black Mirror, Gilbert SimondonAbstract
This article proposes to debate the statements of the technological Singularity and those of the Black Mirror series as fragments of the same narrative. Although they present opposite views about technical development, there’s an agreement that soon humans shall disappear, suppressed by technological progress. The aim of this work is to bring forward, through Gilbert Simondon’s work, a critique of Singularity’s technophilic postulates, as well as Black Mirror’s technophobic statements, in order to elucidate how fear or ecstasy about human’s overcoming by the machine concerns to the sectarian ignorance around existence of technical objects rather than to our end.
Downloads
Downloads
Published
Issue
Section
License
Authors who publish in this journal agree to the following terms:
- Authors retain the copyright and grant the journal the right to first publication, with the work simultaneously licensed under the Creative Commons Attribution License in the "Attribution-NonCommercial 4.0 International" (CC BY-NC 4.0) modality that allows sharing of the work with acknowledgment of authorship and initial publication in this magazine.
- Authors are authorized to assume additional contracts separately, for non-exclusive distribution of the version of the work published in this journal (eg, publishing in institutional repository or as a book chapter), with acknowledgment of authorship and initial publication in this journal.
- Authors are allowed and encouraged to publish and distribute their work online (eg in institutional repositories or on their personal page) at any point before or during the editorial process, as this can generate productive changes, as well as increase impact and citation of the published work (See The Effect of Open Access).
- Any doubts or complaints about copyright must be directed to the Editorial Board or qualify and express themselves in accordance with the guidelines of the Committee on Publications Ethics (COPE).