Desenhar com uma câmera? Filme etnográfico e antropologia transformadora
Tradução de Tatiana Lotierzo e Luís Felipe Kojima Hirano
DOI:
https://doi.org/10.11606/issn.2525-3123.gis.2021.178546Palavras-chave:
Desenho, Antropologia, FilmeResumo
O desenho tem emergido como um foco recente de atenção antropológica. Escritores como Ingold e Taussig defenderam sua importância como um tipo especial de prática de conhecimento, ligando-o a uma reimaginação mais ampla do próprio projeto antropológico. Em respaldo a sua abordagem, está uma oposição entre o lápis e a câmera, entre “fazer” e “tirar”, entre modos de inquirição restritiva e produtiva. Este artigo desafia tal suposição, argumentando que tais elementos no desenho e na realização de filmes existem em uma relação dialética, em vez de polarizada. Destacam-se insights particulares desdobrados de um diálogo entre antropologias escritas e baseadas em filmes, relacionando-os a debates amplos no interior da disciplina – por exemplo, debates sobre modos de conhecer, sobre a prática qualificada [skilled practice], a improvisação e a imaginação, e a antropologia como um tipo de prática de fazer imagens.
Tradução do texto "Drawing with a camera? Ethnographic film and transformative anthropology", de Anna Grimshaw e Amanda Ravetz, feita por Tatiana Lotierzo e Luís Felipe Kojima Hirano.
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