Musicking localities, localizing musicking
Book review | Dossier Local Musicking
DOI:
https://doi.org/10.11606/issn.2525-3123.gis.2021.178244Keywords:
Review, Local musicking, Suzel A. RileyAbstract
In this relevant book, editors Suzel A. Reily and Katherine Brucher present a vast panorama composed of almost forty articles from different parts of the globe. They have in common an effort to discuss the various possibilities of connection between the notions of music and of locality. The book is result of the research projects “Local Musicking in Cross-Cultural Perspective”, carried out in the United Kingdom between 2014 and 2015 and the ongoing FAPESP Framework Project “Local Musicking: New Pathways in Ethnomusicology”, which involves USP and UNICAMP. In 2019, it won the Ellen Koskof Edited Volume Prize, from the Society for Ethnomusicology.
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References
Appadurai, Arjun. 1996. The production of locality. In: Modernity at large: Cultural dimensions of globalization, 178-99. Minneapolis: University of Minnesota Press.
Finnegan, Ruth. 1989. The hidden musicians: music-making in an English town. Cambridge: Cambridge University Press.
Small, Christopher. 1998. Musicking – The meaning of performing and listening. Middletown: Wesleyan University Press.
Tsing, Anna Lowenhaupt. 2005. Friction: An etnography of global connection. Princeton: Princeton University Press.
Turino, Thomas. 2008. Music as social life: the politics of participation. Chicago: University of Chicago Press.
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Copyright (c) 2021 Gibran Teixeira Braga

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Fundação de Amparo à Pesquisa do Estado de São Paulo
Grant numbers 18/10332-4