Music in Schelling
DOI:
https://doi.org/10.11606/issn.2318-9800.v0i13p83-94Keywords:
Schelling, Music, Rhythm, Modulation, Melody.Abstract
This article aims at showing the role played by music withinSchelling’s thought. To accomplish this task, it intends to indicate the way the German philosopher transforms the foundations of the so-called traditional aesthetics in order to characterize music as an original form of knowledge.
Downloads
Downloads
Published
Issue
Section
License
Information and conceptions on the texts are complete responsibility of the authors.
All the articles submitted before July 5th 2018 and those published after July 2021 are licensed under a CC BY-NC-ND license – except those published between the aforementioned dates, which are under the CC BY-NC-SA license. The permission for the translation of the material published under the license CC BY-NC-ND by third parts can be obtained with the consent of the author.
Open access policies - Diadorim
Rules applied before July 5th 2018:
Presenting a submission to our Editorial Board implies granting priority of publication for “Cadernos de filosofia alemã”, as well as transferring the copyright of texts (once published), which will be reproduced only with the manifest authorization of the editors. Authors keep the right to reuse the texts published in future editions of their work, without paying any fees to "Cadernos”. We will not grant the permission to re-edit or translate the texts for third parts without agreement of the author.
