Editorial

Abstract

The dossier, in this nineteenth issue, proposes the discussion of the various ways in which artistic creations - literature, cinema, theater, photography, sculpture, among others - relate to history and come to be understood as a process: historical, political process and philosophical; semiotic and linguistic; individual and social, all at the same time. We understand that the historicizing approach helps to understand the reality from which these productions emerge, the scope of their social representation and the socio-ideological universe in which they are inserted.