L’amant de la Chine du Nord, by Marguerite Duras: book, film, night

Authors

  • Andréa Correa Paraiso Müller Universidade Estadual de Ponta Grossa

DOI:

https://doi.org/10.11606/issn.1984-1124.v0i16p91-102

Keywords:

Cinema, Literature, Narrative, Text

Abstract

In Marguerite Duras’ artistic trajectory the relation between cinema and literature is not limited to the written text being shown on the screen, it also goes the other way round, from the screen to the text. More than transforming films into books, Duras made literature dialoguing with the cinema. In this article, we aimed at analyzing the way cinematographic language and screenplay permeate literary language and vice-versa in L’Amant de la Chine du Nord (1991), a text that, despite being classified as a novel by its author, is organized from elements belonging to the film paratext.

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Author Biography

  • Andréa Correa Paraiso Müller, Universidade Estadual de Ponta Grossa
    Doutora em Teoria e História Literária pela Universidade Estadual de Campinas (UNICAMP). Professora adjunta do Departamento de estudos da Linguagem da Universidade Estadual de Ponta Grossa-PR (UEPG) e docente permanente do programa de Mestrado em Linguagem, Identidade e Subjetividade da mesma instituição.

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Published

2016-11-23

Issue

No. 16 (2016)

Section

Articles

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How to Cite

Paraiso Müller, A. C. (2016). L’amant de la Chine du Nord, by Marguerite Duras: book, film, night. Revista Criação & Crítica, 16, 91-102. https://doi.org/10.11606/issn.1984-1124.v0i16p91-102