The photography condition of the narration: Sergio Chejfec and his documentary narratives
DOI:
https://doi.org/10.11606/issn.2317-9651.v0i17p29-42Keywords:
Contemporary Literature, Photography, ChejfecAbstract
Some of the more radical contemporary writings of the last years are elaborations not any longer based on a human or individual preeminence. Figures of the impersonal and anonymous evidence a turning away from subjective or individual life. What is the power of the impersonal in these writings? What problems do they make visible? In this article, I read Modo linterna, by Sergio Chejfec, in ortder to think how this turning away from the subjective and the personal affects the exposition of an experience that distances itself from a subjective prism, and what kind of consequences, aesthetic and political, these writings carry
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References
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