Microfascism in Argentinean Rock. An original enunciation in El salmón, by Andrés Calamaro

Authors

  • Sergio Daniel Quintana Universidad Nacional de Misiones-UNaM, Argentina

DOI:

https://doi.org/10.11606/issn.2317-9651.v1i8p60-87

Keywords:

micropolitics, Argentinean Rock musical, dissent, enunciator

Abstract

Argentinean rock has, in some of its forms and from its origins, a discourse that can be considered as politically dissenting and which identifies elements of political superstructure as the target of its claims. In this paper, we analyze the presence of a contradictory enunciator in some of the songs of El Salmón [2000] album, by the Argentinean composer and musician Andrés Calamaro. We conclude that Calamaro introduces, from the enunciation, an original dissident vocality because he includes micropolitics as a key dimension for macropolitics.

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Author Biography

  • Sergio Daniel Quintana, Universidad Nacional de Misiones-UNaM, Argentina
    Profesor (2001) y Licenciado (2009) en Letras por la Universidad Nacional de Misiones-UNaM, Argentina; se encuentra finalizando la Maestría en Semiótica Discursiva en el Programa de Semiótica de la Facultad de Humanidades y Ciencias Sociales de la misma Universidad. Se ha especializado en Análisis del Discurso en relación con el campo de la Semiótica. Se desempeña como investigador en el Proyecto de Investigación Territorios literarios e interculturales: despliegues críticos, teóricos y metodológicos del Programa de Incentivos de la UNaM

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Published

2014-12-13

Issue

No. 8: (july-december 2014) Dossier Music and Languages

Section

Dossier

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How to Cite

QUINTANA, Sergio Daniel. Microfascism in Argentinean Rock. An original enunciation in El salmón, by Andrés Calamaro. Caracol, São Paulo, Brasil, v. 1, n. 8, p. 60–87, 2014. DOI: 10.11606/issn.2317-9651.v1i8p60-87. Disponível em: https://journals.usp.br/caracol/article/view/98958.. Acesso em: 19 may. 2024.