Teorizando a dobradiça cartonera: pesquisa trans-formal para uma prática transformadora
DOI:
https://doi.org/10.11606/issn.2317-9651.i26p235-290Palavras-chave:
Editoras cartoneras, Práticas cartoneras, Dobradiça, Estudos Culturais, AntropologiaResumo
Trata-se de uma tradução do capítulo “Methods: Trans-Formal Research for Transformational Practice”, parte do livro Taking Form, Making Worlds: Cartonera Publishers in Latin America (2022). Ao longo do artigo, os autores acompanham as atividades das cartoneras mexicanas La Rueda Cartonera e Viento Cartonero para teorizar sobre o fazer cartonero e, ao mesmo tempo, elaborar uma reflexão sobre a metodologia para fazê-lo, partindo de uma visão interdisciplinar. Nesse processo, Bell, Flynn e O’Hare defendem o conceito de “dobradiça” para nomear um duplo caminho desse tipo de projeto social e editorial: a presença da estrutura sociopolítica nas práticas cartoneras e, por sua vez, o impacto das cartoneras nas práticas sociopolíticas.
Downloads
Referências
Anker, Elizabeth S.; Felski, Rita. Critique and Postcritique. Durham, NC: Duke University Press, 2017.
Barton, David; Papen, Uta. The Anthropology of Writing: Understanding Textually Mediated Worlds. London: Bloomsbury Academic, 2010.
Becker, Howard S. Art Worlds. Berkeley: University of California Press, 1982.
Bell, Lucy. “Recycling Materials, Recycling Lives: Cardboard Publishers in Latin America”. In Johns-Putra, Adeline et al (org.). Literature and Sustainability. Manchester, England: Manchester University Press, 2017, 76–96.
Bell, Lucy; O’Hare, Patrick. “Latin American politics underground: Networks, rhizomes and resistance in cartonera publishing”. International Journal of Cultural Studies, 23 (1), 2020, 20–41.
Bell, Lucy; Flynn, Alex U.; O’Hare, Patrick.“From Cartonera Publishing Practices to Trans-Formal Methods for Qualitative Research”. Qualitative Research, 2020, 768–787.
Bogarín. “A Light in the Darkness”. In Fong, Sergio; Soberanes, Israel (org.). Wind and Mirrors. Guadalajara, Mexico: La Rueda Cartonera, Viento Cartonero and Cartonera Publishing, 2019, 57-64.
Burman, Anders. “Are Anthropologists Monsters? An Andean Dystopian Critique of Extractivist Ethnography and Anglophone-Centric Anthropology”. Hau, 8 (1–2), 2018, 48-64.
Chaney, David C. The Cultural Turn: Scene-setting Essays on Contemporary Cultural History. London: Routledge, 1994.
Chatterjee, Partha (org.). Texts of Power: Emerging Disciplines in Colonial Bengal. Minneapolis, MN: University of Minnesota Press, 1995.
Cohen, Phil. Rethinking the Youth question: Education, Labour and Cultural Studies. Basingstoke, England: Macmillan, 1977.
Cruz, David M.; Morra, Laura Natalia; Barbosa, Natalia H. Guía de derechos y beneficios de las mujeres privadas de la libertad en México. Mexico City: Colección Documenta, 2017.
Cusicanqui, Silvia. “The Epistemological and Theoretical Potential of Oral History: From Instrumental Logic to the Decolonization of History”. Voces Recobradas: Revista de Historia Oral, 8 (21), 2006, 12–22.
de la Cadena, Marisol; Blaser, Mario. A World of Many Worlds. Durham, NC: Duke University Press, 2018.
Denzin, Norman K.; Lincoln, Yvonna S. The Sage Handbook of Qualitative Research. Los Angeles: Sage, 2018.
Drucker, Johanna. The Century of Artists’ Books. New York: Granary Books, 1995.
Drucker, Johanna. “Distributed and Conditional Documents: Conceptualizing Bibliographical Alterities”. Materialidades da literatura 2 (1), 2014, 11-29.
Enedina. “Voices without voice”. In Fong, Sergio; Soberanes, Israel (org.). Wind and Mirrors. Guadalajara, Mexico: La Rueda Cartonera, Viento Cartonero and Cartonera Publishing, 2019, 40-46.
Epplin, Craig. ‘Theory of the Workshop: César Aira and Eloísa Cartonera’. In Bilbija, K. & Carbajal, C. (org.). Akademia Cartonera, Madison: Parallel Press, 2009.
Erika. 2019. “Sadness is but dust”. In Fong, Sergio; Soberanes, Israel (org.). Wind and Mirrors. Guadalajara, Mexico: La Rueda Cartonera, Viento Cartonero and Cartonera Publishing, 2019, 28-36.
Fals Borda, Orlando. El problema de como investigar la realidad para transformarla: Por la praxis. Bogotá: Tercer Mundo, 1978.
Ferreyra, Gabriel. “Unpacking the Mexican Federal Judiciary: An Inner Look at the Ethos of the Judicial Branch”. Mexican Law Review, 11 (1), 2018, 57–83.
Flusser, Vilém. Gestures. Minneapolis: University of Minnesota Press, 2014.
Flynn, Alex U. “Contemporary Art in the Global South: Occupation // Participation // Knowledge”. In Flitz, Thomas; van der Grijp (org.). An Anthropology of Contemporary Art: Practices, Markets, and Collectors. London: Bloomsbury, 2018.
Flynn, Alex U.; Quintana, N. Reference to gesture: Methods between art and anthropology in the project Concrete Mirror. In Ouédraogo, J.; Lefebvre, A (org.). L’invention des formes à l’ère de la globalisation. Chercheurs et artistes en dialogue. Milan: Éditions Mimésis, 2021.
Fong, Sergio (org.). Trazos de resistencia. Guadalajara, Mexico: La Rueda Cartonera and Huellas de la Memoria, 2018.
Franco, Jean. The Decline and Fall of the Lettered City. Cambridge, MA: Harvard University Press, 2002.
García Canclini, Néstor. Art beyond Itself: Anthropology for a Society without a Story Line. Durham: Duke University Press, 2014.
Geertz, Clifford. The interpretation of cultures. New York: Basic books, 1973.
Gibson, James J. The Ecological Approach to Perception. Boston: Houghton Mufflin, 1979.
Gómez-Barris, Macarena. Beyond the Pink Tide: Art and Political Undercurrents in the Americas. Berkeley: University of California Press, 2018.
Grimshaw, Anna; Ravetz, A. The Ethnographic Turn--and After: A Critical Approach towards the Realignment of Art and Anthropology”. Social Anthropology, 23 (4), 2015, 418–434.
Grimshaw, Roger; Hobson, Dorothy; Willis, Paul. “Introduction to ethnography at the Centre”. In Hall, Stuart et al (org). Culture, Media, Language. London: Routledge, 1980, 61-65.
Grosfoguel, Ramon. “What Is Racism?”. Journal of World-Systems Research, 22 (1), 2016, 9–15.
Grossberg, Lawrence. Cultural Studies in the Future Tense. Durham, NC: Duke University Press, 2010.
Heidensohn, Frances. Crime and Society. Hampshire, England: Macmillan Education, 1989.
Hernández, Rosalva Aída. “¿Del estado multicultural al estado penal? Mujeres indígenas presas y criminalización de la pobreza en México”. In Hérnandez, Rosalva Aída; Sieder, Rachel; Sierra, María Teresa (org.). Justicias indígenas y Estado: Violencias contemporáneas. Mexico City: FLACSO/CIESAS, 2013, 299-338.
Hall, Jon. “Cicero and Quintilian on the Oratorical Use of Hand Gestures”. Classical Quarterly, 54 (1), 2004, 143–160.
Hall, Stuart. 1996. “Cultural Studies and Its Theoretical Legacies.”. In Morley, David; Chen, Kuan-Hsing (org.). Stuart Hall: Critical Dialogues in Cultural Studies. New York: Routledge, 1996, 261-274.
Hanisch, Carol. “The Personal is Political”. Notes from the Second Year: In Firestone, Shulie; Koedt, Anne (org.). Women’s Liberation, Major Writings of the Radical Feminists. New York: Notes, 1970. “Historia”. Eloísa Cartonera. 2010. Disponível em: <http://www.eloisacartonera.com.ar/historia.html>. Acesso em: 11 abril 2023.
Hobson, Dorothy. “Housewives and the mass media”. In Hall, Stuart et al (org.). Culture, Media, Language. London: Routledge, 1980, 93-103.
Juris, Jeffrey. “Practicing Militant Ethnography with the Movement for Global Resistance in Barcelona”. In Shukaitis, Stevphen et al (org.). Constituent Imagination: Militant Investigations/Collective Theorizations. Oakland, CA: AK, 2007, 164-176.
Kendon, Adam. “Gesture”. Annual Review of Anthropology, 26 (1), 1997, 109–128.
Kester, Grant H. Conversation pieces: community and communication in modern art. Berkeley: University of California Press, 2004.
Lamphere, Louise. “Unofficial Histories: A Vision of Anthropology from the Margins”. American Anthropologist, 106 (1), 2004, 126–139.
Larkin, Brian. “Promising Forms: The Political Aesthetics of Infrastructure”. In Anand, Nikhil et al (org.). The Promise of Infrastructure. Durham, NC: Duke University Press, 2018, 175-202.
Lash, Scott. “Power after Hegemony: Cultural Studies in Mutation?”. Theory, Culture, and Society, 24 (3), 2007, 55–78.
Levine, Caroline. Forms: Whole, Rhythm, Hierarchy, Network. Princeton & Oxford: Princeton University Press, 2015.
Malinowski, Bronislaw. A diary in the stric sense of the term. London: The Athlone Press, 1967.
Marsh, Sophie. Writing from the Shadows. London: BBC, 2020.
Moraña, Mabel; Dussel, Enrique; Jáuregui, Carlos A. Coloniality at Large: Latin America and the Postcolonial Debate. Durham, NC: Duke University Press, 2008.
Pandian, Anand. A Possible Anthropology: Methods for Uneasy Times. Durham, NC: Duke University Press, 2019.
Papastergiadis, N. “A Breathing Space for Aesthetics and Politics: An Introduction to Jacques Rancière”. Theory, Culture and Society, 31(7-8), 2014, 5–26.
Partida, Juan Carlos G. “Hundido en la violencia, Jalisco cambia gobierno”. La Jornada. 06 dez. 2018. Disponível em:<https://www.jornada.com.mx/2018/12/06/estados/029n1est>. Acesso em: 03 ago 2020.
Peña, Paty. News report from Puente Grande prison. C7 Jalisco, 5 abril 2019. 2019a. Disponível em:<https://www.youtube.com/watch?v=6CffPnWhgME>. Acesso em: 11 abril 2023.
Peña, Paty. News report from Puente Grande prison. C7 Jalisco. 15 abril 2019. 2019b. Disponível em:<https://www.youtube.com/watch?v=Wyr4wg9LGlA>. Acesso em: 11 abril 2023.
Quijano, Aníbal; Ennis, Michael. “Coloniality of Power, Eurocentrism, and Latin America”. Nepantla: Views from South, 1 (3), 2000, 533–580.
Rama, Ángel. La ciudad letrada. Mexico City: Ediciones del Norte, 1984.
Rancière, Jacques. The Politics of Aesthetics: The Distribution of the Sensible. London: Continuum, 2004.
Rancière, Jacques. Aesthetics and Its Discontents. Cambridge: Polity Press, 2012.
Resultados del Sexto Censo Nacional de Impartición de Justicia Federal (CNIJF). INEGI (Instituto Nacional de Estadística y Geografía). México, 2018. Disponível em:<https://www.inegi.org.mx/contenidos/saladeprensa/boletines/2018/EstSegPub/cnijf2018_07.pdf>. Acesso em: 11 abril 2023.
Rodman, Gilbert B. Why Cultural Studies?. London: Wiley Blackwell, 2015.
Rosa, Lúcia. “Dulcinéia Catadora”. In Bell, Lucy; Flynn, Alex U.; O’hare, Patrick (org.). Cartoneras in Translation, 2018, 34–39.
Salvatore, Ricardo D.; Aguirre, Carlos. The Birth of the Penitentiary in Latin America: Essays in Criminology, Prison Reform, and Social Control, 1830–1940. Austin: University of Texas Press, 1996.
Sandler, Irving. Art of the Postmodern Era: From the Late 1960s to the Early 1990s. London: Routledge, 1997.
Schmidt, Christopher. “Vik Muniz’s Pictures of Garbage and the Aesthetics of Poverty”. Art Margins, 6 (3), 2017, 8–27.
Schneider, Arnd; Wright, Christopher. Contemporary Art and Anthropology. Oxford, England: Berg, 2006.
Schneider, Arnd. “Towards a New Hermeneutics of Art and Anthropology Collaborations”. Ethnoscripts, 17 (1), 2015, 23–30.
Spradley, James P.; McDonough, George E. Anthropology Through Literature. Boston: Little Brown, 1973.
Tucker, Herbert F. “Of Moments and Monuments: Spacetime in Nineteenth-Century Poetry”. Modern Language Quarterly, 58 (3), 1997, 269-297.
Turner, Victor. From Ritual to Theatre: The Human Seriousness of Play. New York: Performing Arts Journal Publications, 1982.
Whitfield, Joey. Prison Writing of Latin America. London: Bloomsbury, 2018.
Willis, Paul. Learning to Labour: How Working Class Kids Get Working Class Jobs. London: Saxon House, 1977.
Wulff, Helena. The Anthropologist as Writer: Genres and Contexts in the Twenty-First Century. Oxford, England: Berghahn, 2016.
Wulff, Helena. Rhythms of Writing: An Anthropology of Irish Literature. London: Bloomsbury Academic, 2017.
Publicado
Edição
Seção
Licença
Copyright (c) 2023 Lucy Bell, Alexander Ungprateeb Flynn, Patrick O'Hare; Julia Oliveira
Este trabalho está licenciado sob uma licença Creative Commons Attribution 4.0 International License.
Autores que publicam nesta revista concordam com os seguintes termos:
- Autores mantêm os direitos autorais e concedem à revista o direito de primeira publicação, com o trabalho simultaneamente licenciado sob a Licença Creative Commons Attribution que permite o compartilhamento do trabalho com reconhecimento da autoria e publicação inicial nesta revista.
- Autores têm autorização para assumir contratos adicionais separadamente, para distribuição não-exclusiva da versão do trabalho publicada nesta revista (ex.: publicar em repositório institucional ou como capítulo de livro), com reconhecimento de autoria e publicação inicial nesta revista.
- Autores têm permissão e são estimulados a publicar e distribuir seu trabalho online (ex.: em repositórios institucionais ou na sua página pessoal) a qualquer ponto antes ou durante o processo editorial, já que isso pode gerar alterações produtivas, bem como aumentar o impacto e a citação do trabalho publicado (Veja O Efeito do Acesso Livre).