Vol. 5 No. 1 (2015): Improviso e processos de criação: entre a prática e a teoria das artes cênicas

• Editorial

  Leticia Olivares, Leonel Martins Carneiro, Elisabeth Lopes

  1-4

  • PDF (Portuguese)

Especial (Special)

• A gota d'água do beija-flor

  Julia Varley

  5-24

  • PDF (Portuguese)
  • PDF (Italian)

• Fundamentos da atuação

  Richard Boleslavski, Matheus Cosmo da Silva Dias

  25-33

  • PDF (Portuguese)

Artigos (Articles)

• (Re)composing on stage: the inventive improvisation at the actor's work

  Jussyanne Rodrigues Emidio

  34-46

  • PDF (Portuguese)

• The Impro System and the theatrical creation

  Diogo Horta, Mariana de Lima e Muniz

  47-59

  • PDF (Portuguese)

• Cartographers and executors: list as research in performing arts

  Vinícius Demarchi Silva Terra, Marina Souza Lobo Guzzo

  60-70

  • PDF (Portuguese)

• The unique approach of Zélia Monteiro

  Flávia Scheye Spirópulos

  71-83

  • PDF (Portuguese)

• Women, memory and war: from the imagem to the body of the performer

  Oriana Del Mar Salcedo Jiménez

  84-95

  • PDF (Portuguese)
  • PDF (Spanish)

• Artistic practice as political space

  Raquel Purper

  96-105

  • PDF (Portuguese)

• Spatial masking: the spatiality as mask

  Ipojucan Pereira da Silva

  106-118

  • PDF (Portuguese)

• Authority and the didascalias: a passage for Corte Seco, by Christiane Jatahy

  Stefanie Liz Polidoro

  119-129

  • PDF (Portuguese)

Desenhos de pesquisa (Research Designs)

• Dramaturgy of memory

  Juliano Ricci Jacopini

  130-140

  • PDF (Portuguese)

• Aikido and capoeira as sources of inspiration for the dramaturgy of the actor

  Renata Mazzei Batista

  141-151

  • PDF (Portuguese)

• Retrato

  Ravena Maia

  152-160

  • PDF (Portuguese)