From repudiation to acclaim, Recife met the "incoherent" operetta
DOI:
https://doi.org/10.11606/issn.2238-3999.v11i1p23-34Keywords:
theatrical criticism, history of Brazilian theatre, Pernambuco theater history, 19th century, musical theaterAbstract
This article sheds light on the presence of the first specific operetta company in Recife, Bouffes Parisienses, in 1867, which shocked the Pernambuco public with the characteristics of a new musical comic theater genre. In addition to the controversies raised, including the misuse of public subsidies, the team motivated the growing popular taste of the Recife audience for operettas until its consecration. The impact of this situation is traced from news, reviews, and newspaper advertisements in dialogue with articles and books focused on the history of Brazilian theater.
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Fontes periódicas
BEGICAS. Le Croquefer. Diario de Pernambuco, Recife, p. 2, 3 jun. 1867. Disponível em: https://bit.ly/3Cwuwej. Acesso em: 4 out. 2022.
CHEGOU… Diario de Pernambuco, Recife, p. 2, 23 mai. 1867. Disponível em: https://bit.ly/3SWoIjA. Acesso em: 4 out. 2022.
É VERDADEIRAMENTE… Diario de Pernambuco, Recife, p. 1, 6 jun. 1867. Disponível em: https://bit.ly/3e8wIzp. Acesso em: 4 out. 2022.
EFEITOS… Diario de Pernambuco, Recife, p. 2, 3 jun. 1867. Disponível em: https://bit.ly/3e2Biiy. Acesso em: 4 out. 2022.
NA QUARTA-FEIRA… Diario de Pernambuco. Recife, p. 1, 22 set. 1865. Disponível em: https://bit.ly/3Ca2SCs. Acesso em: 4 out. 2022.
NOURY. A Companhia… Diario de Pernambuco, Recife, p. 3, 27 mai. 1867. Disponível em: https://bit.ly/3yeN6Fe. Acesso em: 4 out. 2022.
SANS NOM. Os buffos parisienses. Diario de Pernambuco, Recife, p. 3, 9 jul. 1867. Disponível em: https://bit.ly/3fL3xTC. Acesso em: 4 out. 2022.
Referências bibliográficas
CALLIPO, D. M. As grandes estrelas do Alcazar Lyrique do Rio de Janeiro: a edificação de um mito. Historiæ, Rio Grande, RS, v. 8, n. 2, p. 31-46, 2017.
GUINSBURG, J.; FARIA, J. R.; LIMA, M. A. (coord.). Dicionário do teatro brasileiro: temas, formas e conceitos. São Paulo: Perspectiva, 2006.
MENCARELLI, F. A. Cena aberta: a absolvição de um bilontra e o teatro de revista de Arthur Azevedo. Campinas, SP: Editora da Unicamp, 1999.
NEVES, L. A opereta francesa: alguns apontamentos para compreender sua história. Ephemera, Ouro Preto, MG, v. 1, n. 1, p. 41-60, 2018.
SILVA, J. A. S. Música e ópera no Santa Isabel: subsídio para a história e o ensino da música no Recife. Recife: Editora UFPE, 2006.
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