Social Coercion: The Field Meets Waking Ned Devine

Autores

  • Jerry Griswold San Diego State University

DOI:

https://doi.org/10.37389/abei.v5i1.182259

Palavras-chave:

John B. Keane, Coerção Social, Intertextualidade, Sociologia

Resumo

“The Field” (both the film and the play by John B. Keane) and “Waking Ned Devine” are stories about village conspiracies and social coercion told in the tragic and comic mode. Fooling, deceiving, and outwitting authorities and outsiders are featured in both. At the same time, characters are remarkably similar the community leader (Bull McCabe/ Jackie O’Shea), their companion or fool figure (The Bird/ Michael O’Sullivan), the widow (Maggie Butler/ Lizzy Quinn), the prescient boy (Leamy/ Maurice), et al. Certain scenes (of bodies flying off cliffs, of priests giving sermons, etc.) are also remarkably similar. An intertextual comparison of this tragedy and comedy yields a sociological understanding of community coercion against a postcolonial background of morality and a history of subversion.

Publicado

2003-06-30

Edição

Seção

Interrelations

Como Citar

Griswold, J. . (2003). Social Coercion: The Field Meets Waking Ned Devine. ABEI Journal, 5(1). https://doi.org/10.37389/abei.v5i1.182259