Banville e Lacan: A Questão das Emoções em The Infinities

Autores

  • Hedwig Schwall

DOI:

https://doi.org/10.37389/abei.v22i1.3854

Palavras-chave:

Banville e Lacan, Emotions, The Infinities, Objeto a, Pulsão escópica, O real libidinal

Resumo

Banville e Lacan são intérpretes freudianos do mundo pós-moderno. Ambos substituem a dicotomia físico-metafísica clássica pelo foco na materialidade da comunicação em um mundo emofísico. Ambos traçam a diferentes maneiras pelas quais os fluxos libidinais combinam partes do eu e vinculam o eu a outras pessoas e objetos. Essas interações ocorrem em três larguras de banda da percepção, que são reorganizadas pelo objeto misterioso a. Esse “objeto” desperta os afetos do inconsciente que infundem as formações identitárias com nova energia. Neste artigo, veremos brevemente como o objeto a é percebido em The Book of Evidence, Ghosts e Eclipse, a fim de focar em como ele funciona em The Infinities, especialmente nas relações entre Adam Godley Júnior e Sênior, Helen e Hermes.

Biografia do Autor

  • Hedwig Schwall

    Hedwig Schwall is director of the Leuven Centre for Irish Studies (LCIS). She is co-editor of the series Irish Studies in Europe (ISE) of which she edited Volume 8 (Boundaries, Passages, Transitions); she was special editor of the issue 2:1 of RISE, the Review of Irish Studies in Europe, on “Irish Textiles: (t)issues in communities and their representation in art and literature” (2018) and edited The Danger and the Glory (2019), a volume of 60 contributions from Irish fiction writers about the art of writing. She is on the board of several Irish studies journals such as the Irish University Review, Studi irlandesi, the Nordic Journal for Irish Studies and the Brazilian Journal for Irish Studies and is Project Director of the European Federation of Associations and Centres of Irish Studies (EFACIS, www.efacis.eu). After having headed literary translation projects (Yeats Reborn & John Banville) she now leads the Kaleidoscope projects (https://kaleidoscope.efacis.eu/. In her research she focuses on contemporary Irish fiction and poetry as well as on European art, often using psychoanalytic theory. She is now preparing a book on Parent-Child Relations in Contemporary Irish Fiction.

Referências

Banville, John. The Book of Evidence. London: Minerva, 1994.

---. Ghosts. London: Minerva, 1993.

---.. Eclipse. London: Picador, 2000.

--- The Infinities. London: Picador, 2009.

Barthes, Roland. “Le Plaisir du texte.” Oeuvres completes IV. Livres, Textes, entretiens 1972-1976. Nouvelle edition revue, corrigée et présentée par ‘Éric Mary. Paris: Seuil, 2002; 219-261.

Brousse, Marie-Hélène. “The Drive”. Reading Seminar XI. Lacan’s Four Fundamental Concepts of Psychoanalysis. Ed. Richard Feldstein, Bruce Fink, Maire Jaanus. New York: State University of New York Press, 1995; 99-117.

Coughlan, Patricia. “Banville, the feminine, and the Scenes of Eros.” Irish University Review: a journal of Irish Studies 36.1 (2006): 81-101. Literature Resource Center. Web. 11 Mar. 2012.http://go.galegroup.com/ps/i.do?id=GALE%7CA147928074&v=2.1&u=leuven&it=r&p=LitRC&sw=w

Feldstein, Richard. “The Phallic gaze of Wonderland” Reading Seminar XI. Lacan’s Four Fundamental Concepts of Psychoanalysis. Eds. Richard Feldstein, Bruce Fink, Maire Jaanus. New York: State University of New York Press, 1995. 149-174.

Földváry, Kinga. “In Search of a Lost Future: The Posthuman Child.” European Journal of English Studies, 18:2, (2014); 207-220, DOI: 10.1080/13825577.2014.917008

Flaubert, Gustave. “Letter to Louise Colet.” https://www.etudes-litteraires.com/flaubert-art.php

Johnston, Adrian. “The object in the mirror of genetic transcendentalism: Lacan’s ‘objet petit a’ between visibility and invisibility” Continental Philosophy Review vol. 46, 2013; 251–269.

Lacan, Jacques. Séminaire VII (1959-1960). L’éthique de la psychanalyse. Paris: Seuil, 1986.

---. Séminaire XI (1964). Les quatre concepts fondamentaux de la psychanalyse. Le Champ freudien . Paris: Seuil, 1973.

---. Le Séminaire XX (1972-73). Encore. Le Champ Freudien, Texte établi par Jacques-Alain Miller. Paris, 1975.

O’Connell, Mark. “The Empathic Paradox. ThirdPerson Narration in John Banville’s First Person Narratives.” Orbis Litterarum, Vol. 66, issue 6; 2011; 427-447. https://doi-org.kuleuven.ezproxy.kuleuven.be/10.1111/j.1600-0730.2011.01027.x

---. “On Not Being Found: A Winnicottian Reading of John Banville’s Ghosts and Athena.” Studies in the Novel, 43: 3, 2011, 328-342.

Radley, Bryan. “John Banville’s Comedy of Cruelty.” Nordic Irish Studies 9, 2010, 13-31. https://www.jstor.org/stable/41702647

Ragland, Ellie. “The Relation between the Voice and the Gaze”. Reading Seminar XI. Lacan’s Four Fundamental Concepts of Psychoanalysis. Eds. Richard Feldstein, Bruce Fink, Maire Jaanus. New York: State University of New York Press, 1995; 187-204.

Schwall, Hedwig. “‘Mirror on Mirror Mirrored is all the Show’: Aspects of the Uncanny in Banville's Work with a Focus on Eclipse.” Irish University Review 36.1 (2006): 116-33.

---. “An Iridescent Surplus of Style: Features of The Fantastic in Banville’s The Infinities” in Nordic Irish Studies 9, 2010, 89-107.

Žižek , Slavoj. “The Lamella of David Lynch.” Reading Seminar XI. Lacan’s Four Fundamental Concepts of Psychoanalysis. Ed. Richard Feldstein, Bruce Fink, Maire Jaanus. New York: State University of New York Press, 1995; 205-220.

---. Looking awry: an introduction to Jacques Lacan through popular culture. Cambridge: MIT Press, 1991.

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Publicado

2021-02-20

Edição

v. 22 n. 1 (2020): ABEI Journal 22.1 — Word Upon World: Half a Century of John Banville's Universes

Seção

Critical Dialogues

Licença

Copyright (c) 2020 Hedwig Schwall

Creative Commons License

Este trabalho está licenciado sob uma licença Creative Commons Attribution-NonCommercial 4.0 International License.

Como Citar

Schwall, H. (2021). Banville e Lacan: A Questão das Emoções em The Infinities. ABEI Journal, 22(1), 147-158. https://doi.org/10.37389/abei.v22i1.3854