Slide on the streets, between Max Jacob and Mário de Andrade
DOI:
https://doi.org/10.11606/issn.2316-901X.v0i53p107-126Keywords:
Mário de Andrade, Max Jacob, harlequin, modern poetry, avantgardesAbstract
This essay intends to point to a possible dialogue between Mário de Andrade and Max Jacob, starting from the books of poems Paulicéia desvairada (1922) and O losango cáqui (1926), Le cornet à dés (1916) and Le laboratoire central (1921). Divided into three parts, it investigates the figuration in the two poets of the harlequin's image, through which both would operate several displacements. One of them, the resumption of a romantic mythology of the artist, as in Baudelaire, and the conscience of his staging character. Other, through the opposition between reason and madness, legitimating a lyrical state as a way to a different perception of the reality. Lastly, through the proposition of an artistic sincerity, moral of work with deep impact over the literary language.Downloads
Download data is not yet available.
Downloads
Published
2011-09-01
Issue
Section
Articles
License
- Todo o conteúdo do periódico, exceto onde está identificado, está licenciado sob uma Licença Creative Commons do tipo atribuição CC-BY.
How to Cite
Simpson, P. (2011). Slide on the streets, between Max Jacob and Mário de Andrade . Revista Do Instituto De Estudos Brasileiros, 53, 107-126. https://doi.org/10.11606/issn.2316-901X.v0i53p107-126