Vol. 18 No. especial (2018): Poética Musical: séculos XVI, XVII e XVIII

View Vol. 18 No. especial (2018): Poética Musical: séculos XVI, XVII e XVIII

A presente edição da revistamúsica, tem coordenação da editora convidada, Dra. Mônica Lucas. Esta edição especial (posicionada entre as edições regulares: nº1, agosto e nº2, dezembro de 2018) traz textos selecionados apresentados no 8º Encontro de Pesquisadores em Poética Musical dos séculos XVI, XVII e XVIII, realizado na USP de 11 a 14 de setembro de 2017.

Published: 2018-10-04

Full Issue

Articles

  • Editorial

    Monica Lucas
    7
    DOI: https://doi.org/10.11606/rm.v18iespecial.151025

  • The synchronic analysis and its structural musical relation confluences in the motet Jerusalem surge by Jacobus Clemens non Papa

    Carlos Iafelice
    11-30
    DOI: https://doi.org/10.11606/rm.v18iespecial.151026

  • Virgil’s Eneid secular motets the Dactil hexameter on 16th-century “Dulces exuviae” settings

    Fernando Cardoso
    31-48
    DOI: https://doi.org/10.11606/rm.v18iespecial.151027

  • The limits of music concepton Renaissance according to the Gioseffo Zarlino’s preceptives (1517-1590)

    Delphim Rezende Porto
    49-68
    DOI: https://doi.org/10.11606/rm.v18iespecial.151028

  • The rebbutals in musical disposition, or how to argument with sounds

    Gabriel Pérsico
    69-92
    DOI: https://doi.org/10.11606/rm.v18iespecial.151083

  • Pronuntiatio in music relationship between Friedrich Wilhelm Marpurgand Johann M. Meyfart

    Stéphano Paschoal
    93-108
    DOI: https://doi.org/10.11606/rm.v18iespecial.151084

  • The eighteenth century musical discourse Rhetorical emulations in the oeuvre of Francesco Geminiani (1687-1762)

    Marcus Held
    109-132
    DOI: https://doi.org/10.11606/rm.v18iespecial.151085

  • The Haydn ́s wit in the drammatic principle of Beethoven ́s op. 59 Quartets

    Mónica Gudemos
    133-148
    DOI: https://doi.org/10.11606/rm.v18iespecial.151086

  • The pedal harp, its probable first repertoire and some considerations on Madame de Genlis

    Felipe Faglioni
    149-166
    DOI: https://doi.org/10.11606/rm.v18iespecial.151087

  • First, music; then, the word about practicing catechesis repertoire with musical instruments in Brazilian Jesuit missions

    Patrícia Michelini Aguilar
    167-178
    DOI: https://doi.org/10.11606/rm.v18iespecial.151088

  • Motetti, madrigali et canzone francese by Giovanni Bassano considerations about the book

    Daniel Figueiredo
    179-192
    DOI: https://doi.org/10.11606/rm.v18iespecial.151090

  • Representations of Chaos in 18th Century Music

    Felipe Galhardi
    193-204
    DOI: https://doi.org/10.11606/rm.v18iespecial.151091

  • The Pietro Bembo’s Gravità and Piacevolezza Guidelines for the Interpretation of the Italian Madrigal of the XVI Century

    Ludmilla Thompson Sathler Freitas
    205-214
    DOI: https://doi.org/10.11606/rm.v18iespecial.151092

  • A musical joke Haydn ́s humor by a machine

    Cecilia Beatriz Argüello
    215-228
    DOI: https://doi.org/10.11606/rm.v18iespecial.151093